鲁伯特·古德的《麦克白》(2010):监视社会与控制社会

IF 0.1 3区 社会学 0 LITERATURE, BRITISH ISLES
Víctor Huertas Martín
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引用次数: 1

摘要

本文讨论的是鲁珀特·戈尔德的电影版《麦克白》(2010)。这部电影根据舞台剧改编,故事发生在一个未指明的苏联国家。我会分析古德创作的舞台到屏幕的混合录音作为监控录像的框架。借助福柯和德勒兹的作品,以及文化唯物主义和新历史主义批评家的各种贡献,我打算在这部监控电影中探讨权力关系。我还将研究古德运用的监视电影惯例是如何将叙事变成一个元电影事件的。这使得观众将监视视为故事主题的一部分,并且与其叙事结构不可分割。最终,这将有助于探索监控如何彻底改变电影景观。这部电影以一个监视社会为背景,最终以一个被控制社会所主导的环境告终。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rupert Goold’s Macbeth (2010): Surveillance society and society of control
This article deals with Rupert Goold’s film version of Macbeth (2010). Based on a stage production, this film is set in an unspecified Soviet country. I will analyze Goold’s creation of a stage-to-screen hybrid recording framed as a surveillance film. Relying on Michel Foucault’s and Gilles Deleuze’s works as well as various contributions made by Cultural Materialist and New Historicist critics, I intend to explore the power relations in this surveillance film. I will also examine how the surveillance film conventions deployed by Goold turn the narrative into a meta-filmic event. This allows the viewer to perceive surveillance as part of the subject matter of the story and as inseparable from its narrative structure. Eventually, this will serve to explore how surveillance entirely transforms the filmscape. What begins as a film set in a surveillance society ends up as an environment dominated by a society of control.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy.
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