崔斯特瑞姆·珊迪与战争再现

IF 0.1 3区 文学 0 LITERATURE
J. Richardson
{"title":"崔斯特瑞姆·珊迪与战争再现","authors":"J. Richardson","doi":"10.1215/00982601-7993633","DOIUrl":null,"url":null,"abstract":"Abstract:This essay examines Tristram Shandy in the context of philosophers and thinkers such as Hume, Shaftesbury, and Hutcheson, focusing on how the novel represents war, and how it raises questions about sympathetic responses to war. I will argue that Sterne is concerned with the challenges of representing war, which he explores in studying Uncle Toby and Trim’s miniature fortifications, as well as the story of Le Fever, and the various sympathetic reactions, some of which are self-promotional, to death. Sterne places two modes of representing war in counterpoint—a “distancing” mode that entails objective reporting, and a mode that involves an individual, sympathetic narrative—to raise questions about the emotion, beauty, and impact of war representations. I will also argue that Sterne is responding to changes in the way war was publicly imagined.","PeriodicalId":43296,"journal":{"name":"EIGHTEENTH-CENTURY LIFE","volume":"38 1","pages":"27 - 48"},"PeriodicalIF":0.1000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tristram Shandy and War Representation\",\"authors\":\"J. Richardson\",\"doi\":\"10.1215/00982601-7993633\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay examines Tristram Shandy in the context of philosophers and thinkers such as Hume, Shaftesbury, and Hutcheson, focusing on how the novel represents war, and how it raises questions about sympathetic responses to war. I will argue that Sterne is concerned with the challenges of representing war, which he explores in studying Uncle Toby and Trim’s miniature fortifications, as well as the story of Le Fever, and the various sympathetic reactions, some of which are self-promotional, to death. Sterne places two modes of representing war in counterpoint—a “distancing” mode that entails objective reporting, and a mode that involves an individual, sympathetic narrative—to raise questions about the emotion, beauty, and impact of war representations. I will also argue that Sterne is responding to changes in the way war was publicly imagined.\",\"PeriodicalId\":43296,\"journal\":{\"name\":\"EIGHTEENTH-CENTURY LIFE\",\"volume\":\"38 1\",\"pages\":\"27 - 48\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"EIGHTEENTH-CENTURY LIFE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/00982601-7993633\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"EIGHTEENTH-CENTURY LIFE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00982601-7993633","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0

摘要

摘要:本文在休谟、沙夫茨伯里和哈奇森等哲学家和思想家的背景下考察了《特里斯特拉姆·尚迪》,重点探讨了这部小说如何表现战争,以及它如何引发人们对战争的同情反应。我认为,斯特恩关注的是表现战争的挑战,他在研究托比叔叔和特里姆的微型防御工事时探索了这一点,还有《狂热》的故事,以及对死亡的各种同情反应,其中一些是自我推销。斯特恩将两种表现战争的模式对立起来——一种是需要客观报道的“距离”模式,另一种是涉及个人的、同情的叙述模式——以提出关于战争表现的情感、美和影响的问题。我还会说,斯特恩是在回应公众对战争想象方式的改变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tristram Shandy and War Representation
Abstract:This essay examines Tristram Shandy in the context of philosophers and thinkers such as Hume, Shaftesbury, and Hutcheson, focusing on how the novel represents war, and how it raises questions about sympathetic responses to war. I will argue that Sterne is concerned with the challenges of representing war, which he explores in studying Uncle Toby and Trim’s miniature fortifications, as well as the story of Le Fever, and the various sympathetic reactions, some of which are self-promotional, to death. Sterne places two modes of representing war in counterpoint—a “distancing” mode that entails objective reporting, and a mode that involves an individual, sympathetic narrative—to raise questions about the emotion, beauty, and impact of war representations. I will also argue that Sterne is responding to changes in the way war was publicly imagined.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.20
自引率
0.00%
发文量
18
期刊介绍: Committed to interdisciplinary exchange, Eighteenth-Century Life addresses all aspects of European and world culture during the long eighteenth century, 1660–1815. The most wide-ranging journal of eighteenth-century studies, it also encourages diverse methodologies—from close reading to cultural studies—and it always welcomes suggestions for review essays, special issues, and innovative approaches. Among Eighteenth-Century Life’s noteworthy regular features are its film forums, its review essays, its book-length special issues, and the longest and most eclectic lists of books received of any journal in the field.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信