{"title":"论安条克·坎特米尔诗歌的诗学问题","authors":"N. Patroeva","doi":"10.21638/spbu09.2022.402","DOIUrl":null,"url":null,"abstract":"The article offers generalizing data concerning the system of rhetorical techniques used by A.D.Kantemir in small and medium-sized poetic genres. The poetic practice of Kantemir is compared with the recommendations from the treatises of Feofan Prokopovich De arte poetica and De arte rhetorica libri X, concerning the use of various rhetorical devices in certain literary genres and styles. The hypothesis of the work is the assumption of the synthetic nature of the poetic syllable of Antiochus Kantemir, which is close not so much to the classicistic requirements of clarity and accuracy of the syllable as to the traditions of the Old Russian book style of weaving words. For the first time undertaken comprehensive analysis of tropes and figures used by Kantemir in his poetry, testifies to their qualitative and quantitative diversity and to the familiarity of the creator of Russian satire. The system of Kantemir tropes and figures analyzed in grammatical, stylistic and linguo-poetic aspects are introduced into scientific use for the first time. Inversion, ellipsis, amplification, lexical repetition, question and exclamation are the most common types of rhetorical devices in Kantemir’s poetry. Comparison, metonymy, personification and paraphrase are much more rare and genre conditioned in the works of Kantemir. The marginal varieties of tropes and figures of Kantemir include hyperbole, gradation, chiasm, silence, pun. Kantemir acts as an innovator who determined the further paths of the formation of Russian lyric poetry.","PeriodicalId":41205,"journal":{"name":"Vestnik Sankt-Peterburgskogo Universiteta-Yazyk i Literatura","volume":"79 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"To the question of the poetics of the Antiochus Cantemir’s poems\",\"authors\":\"N. Patroeva\",\"doi\":\"10.21638/spbu09.2022.402\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article offers generalizing data concerning the system of rhetorical techniques used by A.D.Kantemir in small and medium-sized poetic genres. The poetic practice of Kantemir is compared with the recommendations from the treatises of Feofan Prokopovich De arte poetica and De arte rhetorica libri X, concerning the use of various rhetorical devices in certain literary genres and styles. The hypothesis of the work is the assumption of the synthetic nature of the poetic syllable of Antiochus Kantemir, which is close not so much to the classicistic requirements of clarity and accuracy of the syllable as to the traditions of the Old Russian book style of weaving words. For the first time undertaken comprehensive analysis of tropes and figures used by Kantemir in his poetry, testifies to their qualitative and quantitative diversity and to the familiarity of the creator of Russian satire. The system of Kantemir tropes and figures analyzed in grammatical, stylistic and linguo-poetic aspects are introduced into scientific use for the first time. Inversion, ellipsis, amplification, lexical repetition, question and exclamation are the most common types of rhetorical devices in Kantemir’s poetry. Comparison, metonymy, personification and paraphrase are much more rare and genre conditioned in the works of Kantemir. The marginal varieties of tropes and figures of Kantemir include hyperbole, gradation, chiasm, silence, pun. Kantemir acts as an innovator who determined the further paths of the formation of Russian lyric poetry.\",\"PeriodicalId\":41205,\"journal\":{\"name\":\"Vestnik Sankt-Peterburgskogo Universiteta-Yazyk i Literatura\",\"volume\":\"79 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vestnik Sankt-Peterburgskogo Universiteta-Yazyk i Literatura\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21638/spbu09.2022.402\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik Sankt-Peterburgskogo Universiteta-Yazyk i Literatura","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21638/spbu09.2022.402","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
本文提供了坎特米尔在中小诗歌体裁中运用的修辞技巧体系的概括性资料。本文将坎特米尔的诗歌实践与Feofan Prokopovich De arte poetica和De arte修辞图书馆X的论文中关于在某些文学类型和风格中使用各种修辞手段的建议进行了比较。这部作品的假设是对Antiochus Kantemir诗歌音节的综合性质的假设,这与其说是接近于音节清晰和准确的古典要求,不如说是接近于古俄罗斯传统的编织文字的书籍风格。第一次对坎特米尔在诗歌中使用的比喻和人物进行了全面的分析,证明了它们在质量和数量上的多样性以及俄罗斯讽刺创作者的熟悉程度。本文首次从语法、文体和语言诗学等方面对坎特米尔语的比喻系统进行了科学的分析。倒装、省略、放大、词汇重复、疑问句和感叹词是坎特米尔诗歌中最常见的修辞手法。比较、转喻、拟人、意译等手法在坎特米尔的作品中较为少见,且有体裁限制。《坎特米尔》的边缘修辞形式包括夸张、渐变、交错、沉默、双关等。坎特米尔作为一个创新者,确定了俄罗斯抒情诗形成的进一步路径。
To the question of the poetics of the Antiochus Cantemir’s poems
The article offers generalizing data concerning the system of rhetorical techniques used by A.D.Kantemir in small and medium-sized poetic genres. The poetic practice of Kantemir is compared with the recommendations from the treatises of Feofan Prokopovich De arte poetica and De arte rhetorica libri X, concerning the use of various rhetorical devices in certain literary genres and styles. The hypothesis of the work is the assumption of the synthetic nature of the poetic syllable of Antiochus Kantemir, which is close not so much to the classicistic requirements of clarity and accuracy of the syllable as to the traditions of the Old Russian book style of weaving words. For the first time undertaken comprehensive analysis of tropes and figures used by Kantemir in his poetry, testifies to their qualitative and quantitative diversity and to the familiarity of the creator of Russian satire. The system of Kantemir tropes and figures analyzed in grammatical, stylistic and linguo-poetic aspects are introduced into scientific use for the first time. Inversion, ellipsis, amplification, lexical repetition, question and exclamation are the most common types of rhetorical devices in Kantemir’s poetry. Comparison, metonymy, personification and paraphrase are much more rare and genre conditioned in the works of Kantemir. The marginal varieties of tropes and figures of Kantemir include hyperbole, gradation, chiasm, silence, pun. Kantemir acts as an innovator who determined the further paths of the formation of Russian lyric poetry.