Historian and Feminist Kanō kiyo:Writing Against Japanese Imperialism =加纳实时代的生活与著作:历史学家与女权主义者

Setsu Shigematsu
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摘要

摘要:本文概述了菅井三清作为历史学家和长期以来批判日本帝国主义的女性主义者的生平和贡献。kankui可以说是日本在性别、军国主义、天皇制度(tennōsei)和核主义方面最具影响力的学者之一。作为广岛原子弹爆炸的童年幸存者,直到她生命的尽头,kani一直在写广岛和福岛之间的关系。她一生的工作体现了日本女权主义批评的遗产,这种批评告诫人们不要将女性本质上视为受害者和热爱和平的母亲,而是阐明了女性对国家权力的冲突、矛盾和不同的反应。她一生都在仔细研究女性在日本帝国中的参与以及日本帝国意识形态的性别动态。这篇介绍性的文章介绍了菅井的文章《‘天皇的心’和‘母亲的心’:‘靖国神社的母亲’是如何产生的》的翻译,这是她对女性主义思想的突出贡献,阐明了日本天皇和母亲之间的关系。这篇翻译后的文章仍然有助于理解母性和军国主义之间纠缠不清的亲密关系,以及对母爱的看似自然的渴望是如何被纳入一种性别化的帝国治国之道的,菅井批评这种治国之道是母性法西斯主义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Historian and Feminist Kanō Mikiyo: A Lifetime of Writing Against Japanese Imperialism = 加納実紀代の人生と著作: 歴史家とフェミニスト
Abstract:This article provides an overview of Kanō Mikiyo's life and contributions as a historian and longstanding feminist critic of Japanese imperialism. Kanō was arguably one of Japan's most influential scholars of gender, militarism, the emperor system (tennōsei), and nuclearism. As a childhood survivor of the atomic bombing of Hiroshima, until the end of her life, Kanō wrote about the relationship between Hiroshima and Fukushima. Her lifework exemplifies a legacy of Japanese feminist criticism that has cautioned against essentializing women as victims and mothers as peaceloving and instead illuminates women's conflicted, contradictory, and heterogeneous responses to state power. Kanō spent her life carefully examining women's participation in Japanese empire and the gendered dynamics of Japanese imperial ideology. This introductory article contextualizes how this translation of Kanō's essay, "The 'Emperor's Heart' and the 'Mother's Heart': What Gave Rise to the 'Mothers of Yasukuni'," is representative of her salient contributions to feminist thought that illuminate the relationship between the Japanese emperor and the maternal. This translated essay remains relevant to understanding the entangled intimacies of motherhood and militarism and how a seemingly natural desire for mother's love was incorporated into a gendered imperial statecraft that Kanō critiqued as maternal (bosei) fascism.
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