{"title":"关于近代以来波兰日本主义运动的几点看法","authors":"A. Pawłowska","doi":"10.15304/QUI.16.3892","DOIUrl":null,"url":null,"abstract":"Polish Japonisme, i.e. Japanese art inspirations in the work of the Polish painters and printmakers of the early period of modernism (the late 19th and early 20th centuries). The article will present well-known Polish artists such as Olga Boznanska, Julian Falat, Wojciech Weiss, Leon Wyczolkowski, Satnislaw Wyspianski as well as Jan Stanislawski and his talented students. Juxtaposing works done by Polish artists of the Young Poland period with selected examples of Japanese ukiyo-e woodblock prints and silk paintings (done by such masters as: Hokusai, Hiroshige and Utamaro) as well sculptures and artistic handicrafts, I will demonstrate this phenomenon seen from the 21century perspective. This new approach encourages the reader to make comparisons, to look – almost automatically – for similarities and differences between Polish and Japanese arts, and by revealing the clear and deep analogies between the two cultures, to engage in intercultural dialogue. Key words: Polish art, Japonisme , ukiyo-e prints.","PeriodicalId":55925,"journal":{"name":"Quintana-Revista do Departamento de Historia da Arte","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2018-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Some remarks concerning Polish Japonisme movement from the Modernist Era\",\"authors\":\"A. Pawłowska\",\"doi\":\"10.15304/QUI.16.3892\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Polish Japonisme, i.e. Japanese art inspirations in the work of the Polish painters and printmakers of the early period of modernism (the late 19th and early 20th centuries). The article will present well-known Polish artists such as Olga Boznanska, Julian Falat, Wojciech Weiss, Leon Wyczolkowski, Satnislaw Wyspianski as well as Jan Stanislawski and his talented students. Juxtaposing works done by Polish artists of the Young Poland period with selected examples of Japanese ukiyo-e woodblock prints and silk paintings (done by such masters as: Hokusai, Hiroshige and Utamaro) as well sculptures and artistic handicrafts, I will demonstrate this phenomenon seen from the 21century perspective. This new approach encourages the reader to make comparisons, to look – almost automatically – for similarities and differences between Polish and Japanese arts, and by revealing the clear and deep analogies between the two cultures, to engage in intercultural dialogue. Key words: Polish art, Japonisme , ukiyo-e prints.\",\"PeriodicalId\":55925,\"journal\":{\"name\":\"Quintana-Revista do Departamento de Historia da Arte\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2018-12-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Quintana-Revista do Departamento de Historia da Arte\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15304/QUI.16.3892\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quintana-Revista do Departamento de Historia da Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15304/QUI.16.3892","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
波兰日本主义,即现代主义早期(19世纪末和20世纪初)波兰画家和版画家作品中的日本艺术灵感。文章将介绍著名的波兰艺术家,如Olga Boznanska, Julian Falat, Wojciech Weiss, Leon Wyczolkowski, Satnislaw Wyspianski以及Jan Stanislawski和他的才华横溢的学生。我将青年波兰时期波兰艺术家的作品与精选的日本浮世绘木版版画和丝绸画(由北斋、广重和宇多郎等大师完成)以及雕塑和艺术手工艺品并列,从21世纪的角度来展示这一现象。这种新方法鼓励读者进行比较,几乎自动地寻找波兰和日本艺术之间的异同,并通过揭示两种文化之间清晰而深刻的类比,参与跨文化对话。关键词:波兰艺术,日本主义,浮世绘版画
Some remarks concerning Polish Japonisme movement from the Modernist Era
Polish Japonisme, i.e. Japanese art inspirations in the work of the Polish painters and printmakers of the early period of modernism (the late 19th and early 20th centuries). The article will present well-known Polish artists such as Olga Boznanska, Julian Falat, Wojciech Weiss, Leon Wyczolkowski, Satnislaw Wyspianski as well as Jan Stanislawski and his talented students. Juxtaposing works done by Polish artists of the Young Poland period with selected examples of Japanese ukiyo-e woodblock prints and silk paintings (done by such masters as: Hokusai, Hiroshige and Utamaro) as well sculptures and artistic handicrafts, I will demonstrate this phenomenon seen from the 21century perspective. This new approach encourages the reader to make comparisons, to look – almost automatically – for similarities and differences between Polish and Japanese arts, and by revealing the clear and deep analogies between the two cultures, to engage in intercultural dialogue. Key words: Polish art, Japonisme , ukiyo-e prints.
期刊介绍:
QUINTANA is a journal about the history of art, issued annually, which publishes original research papers about any of the specialities related to the Arts, including interdisciplinary approaches that enrich their study. The publication of research papers is structured in two sections: the first one -SUBJECT- is of a monographic character, and its content is planned beforehand by the Editorial Board, who invites well-known specialists in the chosen theme, whilst the second one -ARTICLES- is open to contributions about any theme. The papers which are presented in the ARTICLES section will be subjected to assessment using a double-blind review process with anonymity for both authors and reviewers (peer-review process). The journal will use two reviewers, members of the Scientific Committee or academic experts, to assess each article received, and will resort to a third reviewer in the case of discrepancy. The articles which are finally published will include reception and acceptance dates. The journal’s Director and the Editorial Board will have ultimate responsibility for the selection process, and will communicate the editorial decisions to the authors.