工业4.0时代印尼人的艺术体验(哲学视角)

Priskardus Hermanto Candra
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引用次数: 0

摘要

对印尼人来说,艺术世界是生活中不可或缺的一部分。艺术自古以来就成为他们的身份。因为艺术和艺术的产物都是从对日常生活的欣赏中诞生的。艺术哲学离不开日常生活的意义。一个社会越是产生高价值、高品味的艺术,对生活的反思能力就越强。这种反思能力实际上帮助活跃了各个领域日益发生根本性变化(颠覆)的发展时代。进入工业革命4.0时代,现在的艺术世界及其意义正在慢慢被扭曲。第四次革命将艺术拖入资本主义,并以身份的模糊而告终。伽达默尔关于如何将艺术视为游戏、符号和节日的研究,成为了一种中断,以恢复艺术的意义。伽达默尔的艺术批评也与印尼人息息相关。这种批评是印尼人重新诠释他们的艺术精神的机会。理解艺术意味着沉浸在一个真正的印尼人的自我认同中,变得更加真实。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Art Experience of the Indonesian People in the Industry 4.0 Era (A Philosophical View)
For Indonesian people, the world of art is an integral part of life. Art has become their identity since the ancient time. It is because art and its products are born from the appreciation of everyday life. Art philosophy is inseparable from the meaning of daily life. The more a society produces art with high values and tastes, the more reflective capacity they have to explore life. This reflective ability has actually helped enliven the development era which has increasingly undergone fundamental changes (disruption) in all fields. Entering the era of industrial revolution 4.0, now the world of art and its meaning are slowly distorted. Revolution 4.0 dragged art into capitalism and ended in obscurity of identity. Gadamer's study of how to view art as a game, symbol and festival becomes an interruption to restore the meaning of art in its place. Gadamer's art criticism is also very relevant for Indonesian people. This criticism is an opportunity for Indonesians to reinterpret the spirit of art in them. Understanding art means immersing in one’s self-identity as a true Indonesian to become more authentic.
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