超越快乐原则:康德的自主性美学

Q1 Arts and Humanities

Estetika : The Central European Journal of Aesthetics Pub Date : 2021-03-17 DOI:10.33134/EEJA.251

D. Lopes

{"title":"超越快乐原则:康德的自主性美学","authors":"D. Lopes","doi":"10.33134/EEJA.251","DOIUrl":null,"url":null,"abstract":"Aesthetic hedonism is the view that to be aesthetically good is to please. For most aesthetic hedonists, aesthetic normativity is hedonic normativity. This paper argues that Kant’s third Critique contains resources for a nonhedonic account of aesthetic normativity as sourced in autonomy as self-legislation. A case is made that the account is also Kant’s because it ties his aesthetics into a key theme of his larger philosophy.","PeriodicalId":53570,"journal":{"name":"Estetika : The Central European Journal of Aesthetics","volume":"28 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Beyond the Pleasure Principle: A Kantian Aesthetics of Autonomy\",\"authors\":\"D. Lopes\",\"doi\":\"10.33134/EEJA.251\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Aesthetic hedonism is the view that to be aesthetically good is to please. For most aesthetic hedonists, aesthetic normativity is hedonic normativity. This paper argues that Kant’s third Critique contains resources for a nonhedonic account of aesthetic normativity as sourced in autonomy as self-legislation. A case is made that the account is also Kant’s because it ties his aesthetics into a key theme of his larger philosophy.\",\"PeriodicalId\":53570,\"journal\":{\"name\":\"Estetika : The Central European Journal of Aesthetics\",\"volume\":\"28 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Estetika : The Central European Journal of Aesthetics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33134/EEJA.251\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Estetika : The Central European Journal of Aesthetics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33134/EEJA.251","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}

引用次数: 3

摘要

审美享乐主义认为，审美上的美就是取悦。对于大多数审美享乐主义者来说，审美规范就是享乐规范。本文认为，康德的《第三批判》包含了对美学规范性的非享乐主义解释的资源，其来源是自主性和自我立法。有人提出，这种说法也是康德的，因为它将他的美学与他更大的哲学的一个关键主题联系在一起。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Beyond the Pleasure Principle: A Kantian Aesthetics of Autonomy

Aesthetic hedonism is the view that to be aesthetically good is to please. For most aesthetic hedonists, aesthetic normativity is hedonic normativity. This paper argues that Kant’s third Critique contains resources for a nonhedonic account of aesthetic normativity as sourced in autonomy as self-legislation. A case is made that the account is also Kant’s because it ties his aesthetics into a key theme of his larger philosophy.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Estetika : The Central European Journal of Aesthetics Arts and Humanities-Literature and Literary Theory

CiteScore

1.00

自引率

0.00%

发文量