从艺术到广告

Nokta Celik
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摘要

从米开朗基罗(Michelangelo)到安迪·沃霍尔(Andy Warhol)等艺术家,艺术在向社会传递信息方面发挥了有趣的作用。世界范围内媒体消费的增加和人们花在互联网上的时间的增加,使得以前只关注小众受众的艺术变得更加普遍。2019年12月,世界上最重要的艺术平台之一巴塞尔艺术展(Art Basel)在其中一家画廊展出的艺术品引起了人们的关注。当毛里齐奥·卡特兰的作品《喜剧演员》以15万美元的价格售出时,它通过媒体引起了人们的注意。这幅作品把一根香蕉用管道胶带粘在墙上。随后,它被营销人员和传播者的兴趣转化为模拟,并在实时营销示例中占有一席之地。在本研究中,以卡特兰的“喜剧演员”为例,分析了受该作品启发而制作和发布的类似土耳其社交媒体广告。我们可以看到,在视觉和意义上与艺术作品最相关的模拟具有最多的在线互动,甚至获得了奖项。让·鲍德里亚的观点是,一个巨大的模拟过程正在日常生活中发生,类似于“模拟模型”的风格,通过操作和控制论科学的工作,在这种情况下进行讨论。这项研究的证据表明,“香蕉模仿者”是通过结合现实的特征或元素来创作的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Artwork to Advertisement
From artists like Michelangelo to Andy Warhol, art has played an interesting role in conveying messages to society. Worldwide increase in media consumption and increasing time spent on the Internet make art previously concerning niche audiences more widespread. In December 2019, Art Basel, one of the most important art platforms in the world, came to such attention with artwork exhibited in one of its galleries. When Maurizio Cattelan's work titled “Comedian”, which consisted of a banana affixed to a wall with duct tape, was sold for $150,000, it came to the limelight through the media. It was then transformed into a simulation with the interest of marketers and communicators and took its place among real-time marketing examples. In this study, Cattelan's “Comedian” is analyzed in terms of similarly prepared and published Turkish social media advertisements inspired by the artwork. It was seen that simulations most associated with the artwork in terms of visual and meaning had most online interaction and even won awards. Jean Baudrillard’s perspective that a vast process of simulation is taking place over the span of daily life, similar in style to ‘simulation models’ through which operational and cybernetic sciences work, is discussed in this context. The evidence from this study suggests that ‘banana copycats’ are creating by combining features or elements of reality.
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