LA MEMORIA DEL EXILIO RECUPERADA EN EL CUERPO UTÓPICO DE LA ESCENA: EL CUERPO Y EL SONIDO EN LA PUESTA EN ACCIÓN DE PROMETEO ENCADENADO SEGÚN ALBERTO KURAPEL (1988)

This article analyzes a particular corpus of theater-perfor- mance: Prometheus chained according to Alberto Kurapel, a work released on March 11, 1988 in the Exile Space, Montreal, Canada and published in 1989 by the Humanitas publishing house. From the photographic images and the video of its staging, this analysis focuses attention on the body - on its various constructions / presentations - and on sound understood as a space / body that reveals another reality. Bodies that denote a dis- location caused by the notion of exile, since the actor-performer is the entity in charge of recovering memory in the utopian body of the scene, unraveling its meanings and showing its symbolic depth. The study at- tempts to answer the question: how is the historical memory of exile in Alberto Kurapel's Prometheus constructed with body and sound?