《随它去吧:洛杉矶的多元文化社会》Tom Naegels著

Timothy Pareit
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引用次数: 0

摘要

虽然荷兰的学者已经尝试将移民文学理论与荷兰的具体语境相结合,但迄今为止还没有对佛兰德文学进行过这样的尝试。因此,本文仔细研究了Tom Naegels的小说《Los》,这是一本(自传体)小说,描述了2002年伊斯兰教师Mohamed Achrak被谋杀后在安特卫普的Borgerhout发生的骚乱。由于作者也以记者的身份报道了这些事件,因此分析调查了这一话题与纳格尔斯祖父为安乐死进行斗争的个人故事交织在一起的方式。本文运用Jérôme梅佐兹的姿态理论,将作者形象与传记人物和叙述者区分开来。此外,小说还处于当代文学向现实主义的回归和佛兰德文学对佛兰德身份的协商之中。通过对移民主题、现实主义和佛兰德身份这三个要素的关注,本文试图为佛兰德移民文学理论的发展做出贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Let It Go: Multicultural Society in Los by Tom Naegels
Abstract Although scholars in the Netherlands have already attempted to integrate literary theories on migration with the specific Dutch context, none such attempts have so far been made for Flemish literature. The current paper therefore scrutinises the novel Los by Tom Naegels, an (autobiographical) account of the riots in Borgerhout (Antwerp) after the murder on Islam teacher Mohamed Achrak in 2002. As the author also covered these events as a journalist, the analysis investigates the manner in which this topical matter is intertwined with the more personal story about the struggle conducted by Naegels’s grandfather for euthanasia. The paper leans on Jérôme Meizoz’s posture theory, which differentiates the author figure from the biographical person and the narrator. In addition, the novel is situated within the contemporary literary return towards realism and Flemish literature’s negotiation of Flemish identity. By focussing on these three elements – the theme of migration, realism and Flemish identity – the paper attempts to contribute to the development of a literary theory on migration in Flanders.
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