戏剧中的话语:戏剧教育中的话语、角色与学习

IF 1
Kelly Freebody
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引用次数: 2

摘要

在20世纪70年代和80年代,约翰·卡罗尔发表了三篇关于分析戏剧课堂谈话的论文。卡罗尔认为,“戏剧作为一种创造性的力量,其本质要求教师和学生在课堂上都有不同的话语”(卡罗尔,1988)。根据卡罗尔的说法,课堂上的角色扮演行为是这一点的核心。卡罗尔使用社会语言学分析来讨论角色扮演影响课堂动态的特殊方式,以及戏剧对学生学习的影响。自卡罗尔的这篇早期作品以来,对戏剧中的谈话的详细分析很少受到关注。在本文中,我旨在借鉴卡罗尔的早期工作,以及我自己最近使用对话分析的工作(Freebody, 2009年,2010年),继续围绕戏剧,角色和谈话在教育中的意义进行讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Discourse in drama: Talk, role, and learning in drama education
Abstract In the 1970s and 1980s John Carroll published three papers concerned with analysing talk in drama classrooms. It was Carroll's belief that “Drama, by its very nature as a creative force, demands a different sort of discourse from both teacher and pupils in the classroom” (Carroll, 1988). According to Carroll, the act of role-taking in the classroom is central to this. Carroll used socio-linguistic analysis to discuss the particular way in which role-taking affects classroom dynamics and the effect drama has on student learning. Since this early work from Carroll, the detailed analysis of talk in drama has received little attention. In this paper I aim to draw on both this early work by Carroll, and my own recent work using conversation analysis (Freebody, 2009, 2010) to continue the discussion around the significance of drama, role and talk in education.
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