柏拉图,Prm. 133b4- c1 / 134e9- 135b2。在甘那西亚,对说服和矛盾敏感的人有什么反对意见?

Q4 Arts and Humanities
Peitho Pub Date : 2022-12-23 DOI:10.14746/pea.2022.1.5
Giuseppe Mazzara
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引用次数: 0

摘要

在这个研究中,我展示了柏拉图在巴门尼德中如何重复与费多的安提斯尼的相遇,我在其他地方假设安提斯尼是在对话中被考察的各种各样的人之一。现在,Parme-nides ' tis出现了类似的情况:这个Antisthenes体现了这样的特征:“在许多领域都是专家”,“不是没有天赋”,“能够用批判的智慧跟随”来自“遥远的前提”的标志。在gumnasia的四个标识中,我强调了柏拉图,在发展他的练习时,是如何以自己的方式进行的,而没有公开地与之争论,以及如何,尽管他的态度是超然的,他的头巾,当与他的同事Antisthenes的头巾交织在一起时,进入了一场冲突。然后我展示了这两条道路,尽管有一个共同的祝福开始(戈尔吉亚对巴门尼德的反对和普罗克罗斯对安提斯尼的证词),有时重叠,有时相互排斥。由此,我还认为,无论是谁写的对话必须意识到,虽然表面上是线性和直线的道路,实际上是颠簸和曲折的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Platone, Prm. 133b4- c1 / 134e9- 135b2. Quali logoi nella gumnasia per un tis refrattario alla persuasione e sensibile alle contraddizioni come Antistene?
In this study, I show how Plato in the Parmenides reprises the encounter with the Phaedo’s Antisthenes, whom I elsewhere assumed to be one of the various tis that get examined in the dialogue. Now, with the Parme­nides’ tis, a similar situation arises: this Antisthenes embodies such characteristics as being “an expert in many areas”, “not without natural gifts” and “capable of following with critical intelligence” the logoi taken from “distant premises.” In the four logoi of the gumnasia, I highlight how Plato, in developing his exercise, proceeds on his own way without openly arguing with any tis and how, despite his detached attitude, his hodos, while interweaving with that of his colleague Antisthenes, enters into a conflict. I then demonstrate how the two paths, despite having a common aporetic beginning (the objections of Gorgias to Parmenides and the testimony of Proclus against Antisthenes), at times overlap and at times are mutually exclusive. From this, I also argue that whoever wrote the dialogue must have been aware that the path, although appar­ently linear and rectilinear, was in fact bumpy and tortuous.
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Peitho
Peitho Arts and Humanities-Philosophy
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