{"title":"电视剧中的历史和地域:《希拉》中的利物浦和《来自黑人的男孩》","authors":"Cat Mahoney","doi":"10.1177/17496020221110362","DOIUrl":null,"url":null,"abstract":"This article explores historical representations of Liverpool in two television dramas: ITV’s Cilla (2014) and the BBC’s Boys from the Blackstuff (1982). It is concerned with the ways that television drama can both record and recreate places from the past. Focussing on two dramas set in Liverpool at formative moments in the city’s past, it considers the centrality of an evocation of place and specifically the space of the city to both series and the ways that television dramas that mobilise such a strong sense place can become intrinsic to the heritage and history of the places they depict.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"14 1","pages":"397 - 414"},"PeriodicalIF":0.9000,"publicationDate":"2022-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"History and Place in Television Drama: Liverpool in Cilla and Boys From the Blackstuff\",\"authors\":\"Cat Mahoney\",\"doi\":\"10.1177/17496020221110362\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores historical representations of Liverpool in two television dramas: ITV’s Cilla (2014) and the BBC’s Boys from the Blackstuff (1982). It is concerned with the ways that television drama can both record and recreate places from the past. Focussing on two dramas set in Liverpool at formative moments in the city’s past, it considers the centrality of an evocation of place and specifically the space of the city to both series and the ways that television dramas that mobilise such a strong sense place can become intrinsic to the heritage and history of the places they depict.\",\"PeriodicalId\":51917,\"journal\":{\"name\":\"Critical Studies in Television\",\"volume\":\"14 1\",\"pages\":\"397 - 414\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2022-06-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Studies in Television\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/17496020221110362\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020221110362","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
History and Place in Television Drama: Liverpool in Cilla and Boys From the Blackstuff
This article explores historical representations of Liverpool in two television dramas: ITV’s Cilla (2014) and the BBC’s Boys from the Blackstuff (1982). It is concerned with the ways that television drama can both record and recreate places from the past. Focussing on two dramas set in Liverpool at formative moments in the city’s past, it considers the centrality of an evocation of place and specifically the space of the city to both series and the ways that television dramas that mobilise such a strong sense place can become intrinsic to the heritage and history of the places they depict.
期刊介绍:
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.