声音:人类的声音是存在的体现

Q3 Arts and Humanities
Oliver M. Gingrich, Alain Renaud, Evgenia Emets, D. Negrao
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引用次数: 0

摘要

在疫情期间和疫情后,世界各地的家庭经历了前所未有的、往往是非自愿的无实体技术互动,人类的声音往往在地理上脱节的个人之间提供联系,导致感知到的社会联系减少。最近的研究表明,社会孤立和感觉剥夺的影响可以通过参与式媒体艺术体验得到缓解(;,)。在过去的十年里,艺术团体Analema Group通过他们的作品KIMA(泰特美术馆、国家美术馆、巴比肯美术馆)探索了人类声音作为社会联系手段的关键作用。KIMA: Voice的当前发展旨在挑战远程环境中的体现体验。这篇文章和艺术展示将展示KIMA的新发展:Voice旨在提供跨距离体现体验的新形式。出版的同时,还将举办艺术作品的展示和展览
本文章由计算机程序翻译,如有差异,请以英文原文为准。
KIMA: Voice: The human voice as embodied presence
Through and post-COVID, disembodied technological interactions were experienced at an unprecedented, often involuntary level in households across the world, with the human voice often providing a link between geographically disconnected individuals, resulting in a decrease in perceived social connectedness. Recent research suggests that effects of social isolation and sensory deprivation can be mitigated through participatory media arts experiences (; , ). Over the last ten years, the art collective Analema Group has explored the pivotal role of the human voice as means for social connectedness through their artwork KIMA (Tate, National Gallery, Barbican). The current development of KIMA: Voice seeks to challenge experiences of embodiment in remote environments. This article and artwork presentation will present a new development KIMA: Voice designed to provide new forms of embodied experiences across a distance. The publication will be supported by a demonstration and exhibition of the artwork
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来源期刊
Virtual Creativity
Virtual Creativity Arts and Humanities-Arts and Humanities (miscellaneous)
CiteScore
0.90
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0.00%
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