框架故事的关键是什么?帖木儿对Bahrām Gūr传奇的重塑

IF 0.7 4区社会学 Q2 AREA STUDIES

Iranian Studies Pub Date : 2022-08-22 DOI:10.1017/irn.2022.29

Marc Toutant

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引用次数: 0

摘要

摘要本文考察了察格泰人对Niẓāmī的Haft Paykar和amurr Khusraw dihlavi的Hasht Bihisht的改写，即m ār al ā shhirr navha ā ā的Sab ā a-yi Sayyār(889/1484)。在他的masnavi的序言中，帖木儿诗人表达了对他的波斯模式的严厉批评。他的目标是他的前辈的框架故事，更具体地说，他们在听七个嵌套叙事时对Bahrām Gūr行为的描述。事实上，《纳瓦古兰经》对这首诗的重塑集中体现了帖木儿人对波斯文化情结的几种倾向:一种标准化的倾向，以及对纳瓦古兰经苏非主义的浓厚兴趣。顺带一提，后一个方面显示了Jāmī对察合台博学者文学产出的影响。

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What is at Stake in the Frame Story? A Timurid Reshaping of the Romance of Bahrām Gūr

Abstract This article examines Mīr ʿAlī Shīr Navāʾī's Sabʿa-yi Sayyār (889/1484), a Chaghatay rewriting of Niẓāmī's Haft Paykar and Amīr Khusraw Dihlavī's Hasht Bihisht. In the prologue of his masnavī, the Timurid poet expresses harsh criticism against his Persian models. He targets his predecessors’ frame stories, and more specifically their depiction of Bahrām Gūr's behavior while listening to the seven nested narratives. In fact, Navāʾī's reshaping of the poem epitomizes several Timurid trends with regard to the Persianate cultural complex: a tendency toward standardization, as well as a keen interest in Naqshbandī Sufism. Incidentally, the latter aspect shows Jāmī's influence on the Chaghatay polymath's literary output.

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Iranian Studies Multiple-

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期刊介绍： Iranian Studies is a peer-reviewed journal devoted to Iranian and Persian history, literature, and society, published on behalf of the Association for Iranian Studies . Its scope includes all areas of the world with a Persian or Iranian legacy, especially Iran, Afghanistan, Central Asia and the Caucasus, and northern India, and Iranians in the diaspora. It welcomes submissions in all disciplines.