“那一天不属于我们这一代”:小松咲井的情感未来

IF 0.2 N/A LITERATURE
Baryon Tensor Posadas
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引用次数: 0

摘要

观察到灾难图像出现频率的评论,在战后日本流行文化,尤其是日本科幻小说的话语中无处不在。与这种方法相反,我认为,通过这种类型与未来问题的接触的批判性视角来阅读这些灾难叙事会更有成效。我的论点是,这些灾难的叙述不仅仅是对过去事件的想象性重复或重演,而且还具有预见性,有效地为未来事件的反应做好准备和铺垫。我特别研究了小松咲井(1931-2011)的作品,他的作品为阐明战后日本科幻小说中灾难叙事的预先维度提供了一个说明性的测试案例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“That Day Does Not Belong to Our Generation”: Komatsu Sakyō’s Affective Futurities
Commentary that observes the frequency of the appearances of images of disaster pervades much of the discourse surrounding postwar Japanese popular culture, and especially Japanese science fiction. Against such approaches, I argue that it is more productive to read these narratives of disaster through the critical lens of the genre’s engagement with the problem of futurity. My contention then is that these narratives of disaster do not merely function as imaginative repetitions or re-enactments of past events, but also take on an anticipatory quality, affectively preparing and the ground for and pre-empting responses to future events. I examine the work of Komatsu Sakyō (1931–2011) in particular, whose writing makes for an illustrative test case for articulating the premediative dimension of disaster narratives in postwar Japanese science fiction.
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Childrens Literature
Childrens Literature LITERATURE-
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