记忆被放置在武器的黑暗记忆中

IF 0.2 0 LITERARY THEORY & CRITICISM
Eleonor Concha Venegas
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引用次数: 0

摘要

在La oscura memoria de las armas (2008) Ramón Díaz中,Eterovic从侦探Heredia的角度探讨了记忆,智利的独裁,过渡,暴力和真相的主题,他穿过圣地亚哥的街道,阐明了一场谋杀,基于谣言和不忘记历史的努力,它涉及到在向民主过渡的时候没有被谈论的相关话题,在这里,记忆成为一种“德里亚加”的景象,在城市的街道上诞生了集体记忆。这是一段充满恐惧、折磨和沉默的证词的记忆,独裁统治强加给圣地亚哥的居民,让我们在向民主过渡的时候配置智利圣地亚哥的城市想象,在国家文学想象中引入一个新的角色:寻求正义和复仇的独裁统治的受害者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Memoria situada y endriaga en La oscura memoria de las armas
In La oscura memoria de las armas (2008) Ramón Díaz Eterovic explores the topics of memory, Chile’s dictatorship, transition, violence and truth from the perspective of Detective Heredia, who goes through the streets of Santiago elucidating a murder that, based on rumours and on a conscious of effort of not forgetting history, it deals with relevant topics that were not talked about on the time of the transition to democracy, where memories become an "endriaga" at the sight of the establishment of the collective memory, birthed on the streets of the city. A memory made of testimonies dripping with the horror, torment and silence that the dictatorship imposed over the inhabitants of Santiago and allows us to configure the urban imaginary of Santiago de Chile at the time of the transition to democracy, introducing a new character into the national literary imaginary: the victim of the dictatorship who seeks justice and revenge.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
23
审稿时长
31 weeks
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