{"title":"诗意的榜样。Elvira hernandez的智利国旗上有多个叛军徽章的图像","authors":"Karem Pinto Carvacho","doi":"10.5195/ct/2022.553","DOIUrl":null,"url":null,"abstract":"The aim of the article is to analyze La Bandera de Chile by Elvira Hernández, in its formal and semantic dimension. The essay proposes that the montage of images, sustained in the tension and complement of its two basic figures, irony and sentence, compose a poetics that represents and encourages the process of social insurrection. The analysis reviews a selection of three representative images of that trajectory, exposed in terms of crisis, political consciousness and liberation.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"19 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Poética insurrecta. Las múltiples imágenes de un emblema rebelde en La Bandera de Chile de Elvira Hernández\",\"authors\":\"Karem Pinto Carvacho\",\"doi\":\"10.5195/ct/2022.553\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The aim of the article is to analyze La Bandera de Chile by Elvira Hernández, in its formal and semantic dimension. The essay proposes that the montage of images, sustained in the tension and complement of its two basic figures, irony and sentence, compose a poetics that represents and encourages the process of social insurrection. The analysis reviews a selection of three representative images of that trajectory, exposed in terms of crisis, political consciousness and liberation.\",\"PeriodicalId\":40660,\"journal\":{\"name\":\"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism\",\"volume\":\"19 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-12-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5195/ct/2022.553\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/ct/2022.553","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
摘要
本文的目的是分析Elvira Hernández的La Bandera de Chile,在其形式和语义维度。文章认为,在反讽和句子这两个基本形象的张力和互补中,图像蒙太奇构成了一种表现和鼓励社会起义过程的诗学。分析回顾了这一轨迹的三个代表性形象,从危机、政治意识和解放的角度进行了揭示。
Poética insurrecta. Las múltiples imágenes de un emblema rebelde en La Bandera de Chile de Elvira Hernández
The aim of the article is to analyze La Bandera de Chile by Elvira Hernández, in its formal and semantic dimension. The essay proposes that the montage of images, sustained in the tension and complement of its two basic figures, irony and sentence, compose a poetics that represents and encourages the process of social insurrection. The analysis reviews a selection of three representative images of that trajectory, exposed in terms of crisis, political consciousness and liberation.