你去哪儿了?!菲比·沃勒-布里奇的电视剧《生活大爆炸》中的跨叙事叙事和形式创新

IF 0.9 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2022-07-18 DOI:10.1177/17496020221108923

Anna Wilson

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引用次数: 0

摘要

本文考察了菲比·沃勒-布里奇的电视剧《生活大爆炸》(2016-2019)中的形式创新、作者和代表性。通过仔细检查节目中直接称呼的发达使用，特别是跨叙事称呼的两个关键时刻，分析认为，与本体论假设相反，戏剧“旁白”的改编，当转换为屏幕时，可以支持，加强，分层和增强叙事的各个方面，以及通过亲密，真实性和女性代理的感知帮助建立表演者/观众的联系。

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Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag

The article examines formal innovation, authorship and representation within Phoebe Waller-Bridge’s television series Fleabag (2016–2019). Through close examination of the developed use of direct address within the programme, in particular two key moments of trans-diegetic address, the analysis considers how, contrary to ontological assumptions, the adaptation of the theatrical ‘aside’, when converted for screen, can function to support, strengthen, layer and enhance aspects of a narrative, as well as help build performer/audience connectivity through perceptions of intimacy, authenticity and female agency.

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来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.