{"title":"爱的水晶","authors":"H. Aveling","doi":"10.5130/PORTAL.V15I1-2.6240","DOIUrl":null,"url":null,"abstract":"The story of the fatal love of a poor fisherman for the daughter of a wealthy mandarin is widely known throughout Vietnam. This paper traces its Chinese origin and its retelling in two forms, a long and a short version, by the Francophone Vietnamese author Pham Duy Khiem (1908–1974). It suggests that rewriting in this way helped Khiem develop the sparse, melancholy style that is characteristic of mature work.","PeriodicalId":35198,"journal":{"name":"PORTAL: Journal of Multidisciplinary International Studies","volume":"16 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Love’s Crystal\",\"authors\":\"H. Aveling\",\"doi\":\"10.5130/PORTAL.V15I1-2.6240\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The story of the fatal love of a poor fisherman for the daughter of a wealthy mandarin is widely known throughout Vietnam. This paper traces its Chinese origin and its retelling in two forms, a long and a short version, by the Francophone Vietnamese author Pham Duy Khiem (1908–1974). It suggests that rewriting in this way helped Khiem develop the sparse, melancholy style that is characteristic of mature work.\",\"PeriodicalId\":35198,\"journal\":{\"name\":\"PORTAL: Journal of Multidisciplinary International Studies\",\"volume\":\"16 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-08-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PORTAL: Journal of Multidisciplinary International Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5130/PORTAL.V15I1-2.6240\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PORTAL: Journal of Multidisciplinary International Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5130/PORTAL.V15I1-2.6240","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Social Sciences","Score":null,"Total":0}
The story of the fatal love of a poor fisherman for the daughter of a wealthy mandarin is widely known throughout Vietnam. This paper traces its Chinese origin and its retelling in two forms, a long and a short version, by the Francophone Vietnamese author Pham Duy Khiem (1908–1974). It suggests that rewriting in this way helped Khiem develop the sparse, melancholy style that is characteristic of mature work.
期刊介绍:
PORTAL Journal of Multidisciplinary International Studies is a fully peer reviewed journal with two main issues per year, and is published by UTSePress. In some years there may be additional special focus issues. The journal is dedicated to publishing scholarship by practitioners of—and dissenters from—international, regional, area, migration, and ethnic studies. Portal also provides a space for cultural producers interested in the internationalization of cultures. Portal is conceived as a “multidisciplinary venture,” to use Michel Chaouli’s words. That is, Portal signifies “a place where researchers [and cultural producers] are exposed to different ways of posing questions and proffering answers, without creating out of their differing disciplinary languages a common theoretical or methodological pidgin” (2003, p. 57). Our hope is that scholars working in the humanities, social sciences, and potentially other disciplinary areas, will encounter in Portal scenarios about contemporary societies and cultures and their material and imaginative relation to processes of transnationalization, polyculturation, transmigration, globalization, and anti-globalization.