{"title":"licei Sainciuc的创建,一个正在进行的实验","authors":"Tudor Stăvilă","doi":"10.52673/18570461.22.2-65.16","DOIUrl":null,"url":null,"abstract":"Lica Sainciuc is part of the generation of the 1970s, a period when Mihail Grecu and Valentina Rusu-Ciobanu loosened the shackles of socialist realism and launched their pictorial experiments, which had a huge impact on local mentalities and the artistic environment. Formed in an entourage of nonconformist creators, after graduating from the Faculty of Architecture he started his own experiments. His paintings made in the years 1970–1979 denote an “architectural” accuracy in the conjugation of colors, the approach of forms and the subject as a whole. In the same years he practiced scenography in the puppet theater and in the dramatic theaters. The given period was an essential one for his further creation marked by continuous experiments, in which book graphics became a priority. He illustrated about 100 books, including the famous Albinuța and the Codobelc series, he is a lover of old Chisinau, about which he wrote and illustrated the books Colina antenelor de bruiaj (2000), 333 intersections, based on the text of Ioan Halippa (2011), Hidden Chisinau (2018) and The Little Story from the Family Album (2018). He is a trailblazer in combining computer techniques with the traditional means of fine arts in the Republic of Moldova, offering outstanding samples in the genre of digital art.","PeriodicalId":30644,"journal":{"name":"Akademos Revista de Stiinta Inovare Cultura si Arta","volume":"81 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The creation of Lică Sainciuc, an ongoing experiment\",\"authors\":\"Tudor Stăvilă\",\"doi\":\"10.52673/18570461.22.2-65.16\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Lica Sainciuc is part of the generation of the 1970s, a period when Mihail Grecu and Valentina Rusu-Ciobanu loosened the shackles of socialist realism and launched their pictorial experiments, which had a huge impact on local mentalities and the artistic environment. Formed in an entourage of nonconformist creators, after graduating from the Faculty of Architecture he started his own experiments. His paintings made in the years 1970–1979 denote an “architectural” accuracy in the conjugation of colors, the approach of forms and the subject as a whole. In the same years he practiced scenography in the puppet theater and in the dramatic theaters. The given period was an essential one for his further creation marked by continuous experiments, in which book graphics became a priority. He illustrated about 100 books, including the famous Albinuța and the Codobelc series, he is a lover of old Chisinau, about which he wrote and illustrated the books Colina antenelor de bruiaj (2000), 333 intersections, based on the text of Ioan Halippa (2011), Hidden Chisinau (2018) and The Little Story from the Family Album (2018). He is a trailblazer in combining computer techniques with the traditional means of fine arts in the Republic of Moldova, offering outstanding samples in the genre of digital art.\",\"PeriodicalId\":30644,\"journal\":{\"name\":\"Akademos Revista de Stiinta Inovare Cultura si Arta\",\"volume\":\"81 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Akademos Revista de Stiinta Inovare Cultura si Arta\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52673/18570461.22.2-65.16\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Akademos Revista de Stiinta Inovare Cultura si Arta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52673/18570461.22.2-65.16","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Lica Sainciuc是20世纪70年代的一代人,在这个时期,米哈伊尔·格列库和瓦伦蒂娜·鲁苏-乔巴努放松了社会主义现实主义的束缚,开始了他们的绘画实验,这对当地的心态和艺术环境产生了巨大的影响。在一群不墨守成规的创作者的陪伴下,从建筑系毕业后,他开始了自己的实验。他的绘画创作于1970-1979年间,在色彩的搭配、形式的处理和主题的整体上表现出一种“建筑”式的准确性。同年,他在木偶剧院和戏剧剧院练习舞台设计。这一时期是他进一步创作的关键时期,他不断进行实验,其中书籍图形成为优先考虑的问题。他为大约100本书绘制了插图,包括著名的Albinuța和Codobelc系列,他是老基希讷乌的爱好者,他根据Ioan Halippa (2011), Hidden Chisinau(2018)和the Little Story from the Family Album(2018)的文本撰写并绘制了Colina antenelor de bruiaj(2000), 333十字点。他是摩尔多瓦共和国将计算机技术与传统美术手段相结合的开拓者,在数字艺术流派中提供了杰出的样本。
The creation of Lică Sainciuc, an ongoing experiment
Lica Sainciuc is part of the generation of the 1970s, a period when Mihail Grecu and Valentina Rusu-Ciobanu loosened the shackles of socialist realism and launched their pictorial experiments, which had a huge impact on local mentalities and the artistic environment. Formed in an entourage of nonconformist creators, after graduating from the Faculty of Architecture he started his own experiments. His paintings made in the years 1970–1979 denote an “architectural” accuracy in the conjugation of colors, the approach of forms and the subject as a whole. In the same years he practiced scenography in the puppet theater and in the dramatic theaters. The given period was an essential one for his further creation marked by continuous experiments, in which book graphics became a priority. He illustrated about 100 books, including the famous Albinuța and the Codobelc series, he is a lover of old Chisinau, about which he wrote and illustrated the books Colina antenelor de bruiaj (2000), 333 intersections, based on the text of Ioan Halippa (2011), Hidden Chisinau (2018) and The Little Story from the Family Album (2018). He is a trailblazer in combining computer techniques with the traditional means of fine arts in the Republic of Moldova, offering outstanding samples in the genre of digital art.