{"title":"大师之脚:冲绳空手道融入英美文化的三个阶段","authors":"G. Krug","doi":"10.1177/153270860100100401","DOIUrl":null,"url":null,"abstract":"First “discovered” by Anglo-Americans following the Second World War, karate has undergone a series of changes in the way in which it is presented and taught in the United States and Australia. In the 1990s, the publication of key secret texts, the establishment of a large body of historical information, the rapidly growing acceptance of traditional Chinese medicine, acupuncture, and the establishment of second- and third-generation dojos and instructors in Euro-American cultures have contributed to the demystification of karate and a lessening need for attachments to the people and culture of Okinawa. With these new representations of karate, the art is being remade as a set of Western knowledge and practices. These changes in the representation of karate trace a trajectory that transforms the pragmatic and spiritual characteristics of karate first into a marker of Asianess, then into a myth of origins, and finally into a set of historical and semiscientific practices.","PeriodicalId":46996,"journal":{"name":"Cultural Studies-Critical Methodologies","volume":"16 1","pages":"395 - 410"},"PeriodicalIF":0.9000,"publicationDate":"2001-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"34","resultStr":"{\"title\":\"the Feet of the Master: Three Stages in the Appropriation of Okinawan Karate Into Anglo-American Culture\",\"authors\":\"G. Krug\",\"doi\":\"10.1177/153270860100100401\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"First “discovered” by Anglo-Americans following the Second World War, karate has undergone a series of changes in the way in which it is presented and taught in the United States and Australia. In the 1990s, the publication of key secret texts, the establishment of a large body of historical information, the rapidly growing acceptance of traditional Chinese medicine, acupuncture, and the establishment of second- and third-generation dojos and instructors in Euro-American cultures have contributed to the demystification of karate and a lessening need for attachments to the people and culture of Okinawa. With these new representations of karate, the art is being remade as a set of Western knowledge and practices. These changes in the representation of karate trace a trajectory that transforms the pragmatic and spiritual characteristics of karate first into a marker of Asianess, then into a myth of origins, and finally into a set of historical and semiscientific practices.\",\"PeriodicalId\":46996,\"journal\":{\"name\":\"Cultural Studies-Critical Methodologies\",\"volume\":\"16 1\",\"pages\":\"395 - 410\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2001-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"34\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural Studies-Critical Methodologies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/153270860100100401\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Studies-Critical Methodologies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/153270860100100401","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
the Feet of the Master: Three Stages in the Appropriation of Okinawan Karate Into Anglo-American Culture
First “discovered” by Anglo-Americans following the Second World War, karate has undergone a series of changes in the way in which it is presented and taught in the United States and Australia. In the 1990s, the publication of key secret texts, the establishment of a large body of historical information, the rapidly growing acceptance of traditional Chinese medicine, acupuncture, and the establishment of second- and third-generation dojos and instructors in Euro-American cultures have contributed to the demystification of karate and a lessening need for attachments to the people and culture of Okinawa. With these new representations of karate, the art is being remade as a set of Western knowledge and practices. These changes in the representation of karate trace a trajectory that transforms the pragmatic and spiritual characteristics of karate first into a marker of Asianess, then into a myth of origins, and finally into a set of historical and semiscientific practices.
期刊介绍:
The mandate for this interdisciplinary, international journal is to move methods talk in cultural studies to the forefront, into the regions of moral, ethical and political discourse. The commitment to imagine a more democratic society has been sa guiding feature of cultural studies from the very beginnnig. Contributors to this journal understand that the discourses of a critical, moral methodology are basic to any effort to re-engage the promise of the social sciences and the humanities for democracy in the 21st Century. We seek works that connect critical emanicipatory theories to new forms of social justice and democratic practice are encouraged.