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Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2017-12-15 DOI:10.7764/aisth.62.7

Alejo Ricardo Petrosini

引用次数: 0

摘要

本文的目的是探讨遗产研究的另一种视角。机构、物质性和本体论等元素是基本的，因为它们伴随着破坏或磨损、保护或修复等因素。在这篇文章中，我们提出了一种方法，在这种方法中，碎片可以在不同的环境中移动，作为现代物化的一个例子。本文分析了博物馆实践在多大程度上影响了与博物馆相关的认识论话语和学科类别的构建。最后，我们展示了一个具体的案例:19世纪末耶稣会-瓜拉尼传教会向拉普拉塔博物馆介绍物质遗迹。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Agencia y patrimonio jesuítico-guaraní en el Museo de La Plata a fines del siglo XIX

El articulo se propone abordar los estudios de patrimonio segun una perspectiva alternativa. Elementos como la agencia, la materialidad y la ontologia son fundamentales, en tanto estan acompanadas por factores como la destruccion o el desgaste, la conservacion o la restauracion. En este sentido, este articulo deconstruye los mecanismos del patrimonio mueble, en el cual es factible el traslado de fragmentos en diversos ambitos, como expo- nente de la objetivacion moderna. Asimismo, se plantea en que medida estas practicas y la materialidad inciden en la construccion de discursos epistemologicos y categorias disciplinares relativos a los museos. Finalmente, se muestra un caso especifico: la intro- duccion de restos materiales procedentes de las misiones jesuiticas-guaranies al Museo de La Plata a fines del siglo XIX.

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来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.