{"title":"不受束缚:设计师对一个过程的反思,被打断","authors":"C. Smith","doi":"10.1386/scene_00038_1","DOIUrl":null,"url":null,"abstract":"For this special edition of Scene, award-winning Australian set and costume designer Christina Smith was invited to reflect on her experience of resuming work on Melbourne Theatre Company’s Berlin after a year hiatus due to COVID-19 lockdowns. In the form of a reflective\n note from the field, Christina examines the unexpected discoveries and unlooked-for liberation that came from being forcibly untethered from her creative process. Raw and personal, this note offers one designer’s journey out of isolation and back to the stage.","PeriodicalId":41671,"journal":{"name":"AVANT SCENE OPERA","volume":"169 ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Untethered: A designer’s reflection on a process, interrupted\",\"authors\":\"C. Smith\",\"doi\":\"10.1386/scene_00038_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"For this special edition of Scene, award-winning Australian set and costume designer Christina Smith was invited to reflect on her experience of resuming work on Melbourne Theatre Company’s Berlin after a year hiatus due to COVID-19 lockdowns. In the form of a reflective\\n note from the field, Christina examines the unexpected discoveries and unlooked-for liberation that came from being forcibly untethered from her creative process. Raw and personal, this note offers one designer’s journey out of isolation and back to the stage.\",\"PeriodicalId\":41671,\"journal\":{\"name\":\"AVANT SCENE OPERA\",\"volume\":\"169 \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AVANT SCENE OPERA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/scene_00038_1\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AVANT SCENE OPERA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/scene_00038_1","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Untethered: A designer’s reflection on a process, interrupted
For this special edition of Scene, award-winning Australian set and costume designer Christina Smith was invited to reflect on her experience of resuming work on Melbourne Theatre Company’s Berlin after a year hiatus due to COVID-19 lockdowns. In the form of a reflective
note from the field, Christina examines the unexpected discoveries and unlooked-for liberation that came from being forcibly untethered from her creative process. Raw and personal, this note offers one designer’s journey out of isolation and back to the stage.
期刊介绍:
L’Avant-Scène Opéra est une revue bimestrielle qui consacre chaque édition à l"étude complète d"un opéra, avec : • Livret intégral bilingue • Commentaire musical et littéraire • Discographie et Vidéographie comparées • Etudes des sources et des personnages • Chronologie des grandes productions