{"title":"弗朗西斯卡·特拉巴尔华尔兹中的讽刺与音乐中介","authors":"Moisés Alarcón","doi":"10.32735/s0718-2201201900049744","DOIUrl":null,"url":null,"abstract":"This paper analyzes the musicalization of the fiction present in Vals , the most valued novel of Francesc Trabal. The present article suggests a different reading of this novel based on the concept of intermediality and through two axes: imitation and thematization (paratextual, contextual and intratextual one). In this sense, a very close relation between this musicalized fiction and the notion of metafictional irony is observed and it helps to understand the ludic proposal established by Trabal.","PeriodicalId":43217,"journal":{"name":"Alpha-Revista de Artes Letras y Filosofia","volume":"25 1","pages":"95-107"},"PeriodicalIF":0.1000,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ironía e intermedialidad musical en Vals de Francesc Trabal\",\"authors\":\"Moisés Alarcón\",\"doi\":\"10.32735/s0718-2201201900049744\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper analyzes the musicalization of the fiction present in Vals , the most valued novel of Francesc Trabal. The present article suggests a different reading of this novel based on the concept of intermediality and through two axes: imitation and thematization (paratextual, contextual and intratextual one). In this sense, a very close relation between this musicalized fiction and the notion of metafictional irony is observed and it helps to understand the ludic proposal established by Trabal.\",\"PeriodicalId\":43217,\"journal\":{\"name\":\"Alpha-Revista de Artes Letras y Filosofia\",\"volume\":\"25 1\",\"pages\":\"95-107\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-12-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Alpha-Revista de Artes Letras y Filosofia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32735/s0718-2201201900049744\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Alpha-Revista de Artes Letras y Filosofia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32735/s0718-2201201900049744","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Ironía e intermedialidad musical en Vals de Francesc Trabal
This paper analyzes the musicalization of the fiction present in Vals , the most valued novel of Francesc Trabal. The present article suggests a different reading of this novel based on the concept of intermediality and through two axes: imitation and thematization (paratextual, contextual and intratextual one). In this sense, a very close relation between this musicalized fiction and the notion of metafictional irony is observed and it helps to understand the ludic proposal established by Trabal.