{"title":"佛朗哥时代的女性时尚和Imágenes杂志节目","authors":"Ana Melendo","doi":"10.1386/ffc_00038_1","DOIUrl":null,"url":null,"abstract":"An analysis of the documentaries made for the magazine programme Imágenes in the historical archives of the NO-DO newsreels, used by the Franco dictatorship as an instrument of propaganda, can shed light on some important aspects of Spain’s recent history. The aim\n of this article is to demonstrate how these documentaries, which exhibit certain formal features suited to the spectator of their time, make fashion an effective instrument for conveying ideas of gender differences and female servility, self-denial and submission in a patriarchal regime.","PeriodicalId":41071,"journal":{"name":"Film Fashion & Consumption","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Female fashion in the Franco era and the Imágenes magazine programme\",\"authors\":\"Ana Melendo\",\"doi\":\"10.1386/ffc_00038_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"An analysis of the documentaries made for the magazine programme Imágenes in the historical archives of the NO-DO newsreels, used by the Franco dictatorship as an instrument of propaganda, can shed light on some important aspects of Spain’s recent history. The aim\\n of this article is to demonstrate how these documentaries, which exhibit certain formal features suited to the spectator of their time, make fashion an effective instrument for conveying ideas of gender differences and female servility, self-denial and submission in a patriarchal regime.\",\"PeriodicalId\":41071,\"journal\":{\"name\":\"Film Fashion & Consumption\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film Fashion & Consumption\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/ffc_00038_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film Fashion & Consumption","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/ffc_00038_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Female fashion in the Franco era and the Imágenes magazine programme
An analysis of the documentaries made for the magazine programme Imágenes in the historical archives of the NO-DO newsreels, used by the Franco dictatorship as an instrument of propaganda, can shed light on some important aspects of Spain’s recent history. The aim
of this article is to demonstrate how these documentaries, which exhibit certain formal features suited to the spectator of their time, make fashion an effective instrument for conveying ideas of gender differences and female servility, self-denial and submission in a patriarchal regime.
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