{"title":"从圣地到外太空:吉尔福德大教堂跪着者的集体创造力和二十世纪中期英国现代性的图像","authors":"William Barnes , Claire Dwyer , David Gilbert","doi":"10.1016/j.jhg.2023.09.010","DOIUrl":null,"url":null,"abstract":"<div><p>Between 1936 and 1969, around 1600 kneelers were produced for the new Anglican cathedral at Guildford in Surrey, southern England. This was a major collective devotional artwork, involving hundreds of embroiderers, mostly local women. The project was a distinctive form of community and collective artwork, that complicates established understandings of embroidery, craftwork, femininity and politics. It worked within guidelines for design and materials set by the interior designer Lady Prudence Maufe and her husband Sir Edward Maufe, the cathedral's architect. However, it also allowed for considerable autonomy and self-expression on the part of the volunteers. The kneeler collection has a rich and varied iconography that ranges from expected Christian symbolism to representations of modern technology and nuclear weaponry. What emerged over the length of the project was a complex expression of the worldview of post-war England, and particularly the England and Englishness of the Home Counties. This worldview attempted to combine faith in God with faith in technological progress, and to reconcile internationalism with confidence in British military power. The Guildford kneelers are best understood as a distinctive form of conservative modernity, an attempt to place the changes of the mid twentieth century into longer traditions of Christian worship and Englishness.</p></div>","PeriodicalId":47094,"journal":{"name":"Journal of Historical Geography","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.sciencedirect.com/science/article/pii/S0305748823000956/pdfft?md5=e203c749e249fe9cc13f62c17d37b34a&pid=1-s2.0-S0305748823000956-main.pdf","citationCount":"0","resultStr":"{\"title\":\"From sacred place to outer space: Collective creativity and the iconographies of mid-twentieth century English modernity in Guildford Cathedral's kneelers\",\"authors\":\"William Barnes , Claire Dwyer , David Gilbert\",\"doi\":\"10.1016/j.jhg.2023.09.010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div><p>Between 1936 and 1969, around 1600 kneelers were produced for the new Anglican cathedral at Guildford in Surrey, southern England. This was a major collective devotional artwork, involving hundreds of embroiderers, mostly local women. The project was a distinctive form of community and collective artwork, that complicates established understandings of embroidery, craftwork, femininity and politics. It worked within guidelines for design and materials set by the interior designer Lady Prudence Maufe and her husband Sir Edward Maufe, the cathedral's architect. However, it also allowed for considerable autonomy and self-expression on the part of the volunteers. The kneeler collection has a rich and varied iconography that ranges from expected Christian symbolism to representations of modern technology and nuclear weaponry. What emerged over the length of the project was a complex expression of the worldview of post-war England, and particularly the England and Englishness of the Home Counties. This worldview attempted to combine faith in God with faith in technological progress, and to reconcile internationalism with confidence in British military power. The Guildford kneelers are best understood as a distinctive form of conservative modernity, an attempt to place the changes of the mid twentieth century into longer traditions of Christian worship and Englishness.</p></div>\",\"PeriodicalId\":47094,\"journal\":{\"name\":\"Journal of Historical Geography\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2023-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://www.sciencedirect.com/science/article/pii/S0305748823000956/pdfft?md5=e203c749e249fe9cc13f62c17d37b34a&pid=1-s2.0-S0305748823000956-main.pdf\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Historical Geography\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://www.sciencedirect.com/science/article/pii/S0305748823000956\",\"RegionNum\":2,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"GEOGRAPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Historical Geography","FirstCategoryId":"98","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S0305748823000956","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"GEOGRAPHY","Score":null,"Total":0}
From sacred place to outer space: Collective creativity and the iconographies of mid-twentieth century English modernity in Guildford Cathedral's kneelers
Between 1936 and 1969, around 1600 kneelers were produced for the new Anglican cathedral at Guildford in Surrey, southern England. This was a major collective devotional artwork, involving hundreds of embroiderers, mostly local women. The project was a distinctive form of community and collective artwork, that complicates established understandings of embroidery, craftwork, femininity and politics. It worked within guidelines for design and materials set by the interior designer Lady Prudence Maufe and her husband Sir Edward Maufe, the cathedral's architect. However, it also allowed for considerable autonomy and self-expression on the part of the volunteers. The kneeler collection has a rich and varied iconography that ranges from expected Christian symbolism to representations of modern technology and nuclear weaponry. What emerged over the length of the project was a complex expression of the worldview of post-war England, and particularly the England and Englishness of the Home Counties. This worldview attempted to combine faith in God with faith in technological progress, and to reconcile internationalism with confidence in British military power. The Guildford kneelers are best understood as a distinctive form of conservative modernity, an attempt to place the changes of the mid twentieth century into longer traditions of Christian worship and Englishness.
期刊介绍:
A well-established international quarterly, the Journal of Historical Geography publishes articles on all aspects of historical geography and cognate fields, including environmental history. As well as publishing original research papers of interest to a wide international and interdisciplinary readership, the journal encourages lively discussion of methodological and conceptual issues and debates over new challenges facing researchers in the field. Each issue includes a substantial book review section.