{"title":"后人类考古学与岩石艺术","authors":"José Chessil Dohvehnain Martínez-Moreno","doi":"10.1017/s0959774323000306","DOIUrl":null,"url":null,"abstract":"This paper aims to contribute to the current debate about Posthumanism in archaeology, arguing for the potential that Posthumanism can have for the study of rock art. Through a case study in San Luis Potosí, Mexico, this work seeks to explore a posthuman approach to rock art as vibrant and relational assemblages, through affects as relational agencies and non-human personhood and ritual landscape as theoretical tools, articulated with aspects from indigenous ontologies explored from archaeological, ethnographic and documentary information. It is proposed that this approach can help interpret hunter-gatherer rock art created between 1000 and 1500 <jats:sc>ce</jats:sc> in the northern region of Mexico. Through this exercise it is considered that Mexican archaeology of rock art can embrace posthumanism for a more complex and comprehensive understanding of the painted memory of hunter-gatherers from this part of the world.","PeriodicalId":47164,"journal":{"name":"CAMBRIDGE ARCHAEOLOGICAL JOURNAL","volume":"91 13","pages":""},"PeriodicalIF":1.6000,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Posthuman Archaeology and Rock Art\",\"authors\":\"José Chessil Dohvehnain Martínez-Moreno\",\"doi\":\"10.1017/s0959774323000306\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper aims to contribute to the current debate about Posthumanism in archaeology, arguing for the potential that Posthumanism can have for the study of rock art. Through a case study in San Luis Potosí, Mexico, this work seeks to explore a posthuman approach to rock art as vibrant and relational assemblages, through affects as relational agencies and non-human personhood and ritual landscape as theoretical tools, articulated with aspects from indigenous ontologies explored from archaeological, ethnographic and documentary information. It is proposed that this approach can help interpret hunter-gatherer rock art created between 1000 and 1500 <jats:sc>ce</jats:sc> in the northern region of Mexico. Through this exercise it is considered that Mexican archaeology of rock art can embrace posthumanism for a more complex and comprehensive understanding of the painted memory of hunter-gatherers from this part of the world.\",\"PeriodicalId\":47164,\"journal\":{\"name\":\"CAMBRIDGE ARCHAEOLOGICAL JOURNAL\",\"volume\":\"91 13\",\"pages\":\"\"},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2023-10-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAMBRIDGE ARCHAEOLOGICAL JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s0959774323000306\",\"RegionNum\":2,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAMBRIDGE ARCHAEOLOGICAL JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0959774323000306","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
This paper aims to contribute to the current debate about Posthumanism in archaeology, arguing for the potential that Posthumanism can have for the study of rock art. Through a case study in San Luis Potosí, Mexico, this work seeks to explore a posthuman approach to rock art as vibrant and relational assemblages, through affects as relational agencies and non-human personhood and ritual landscape as theoretical tools, articulated with aspects from indigenous ontologies explored from archaeological, ethnographic and documentary information. It is proposed that this approach can help interpret hunter-gatherer rock art created between 1000 and 1500 ce in the northern region of Mexico. Through this exercise it is considered that Mexican archaeology of rock art can embrace posthumanism for a more complex and comprehensive understanding of the painted memory of hunter-gatherers from this part of the world.
期刊介绍:
The Cambridge Archaeological Journal is the leading journal for cognitive and symbolic archaeology. It provides a forum for innovative, descriptive and theoretical archaeological research, paying particular attention to the role and development of human intellectual abilities and symbolic beliefs and practices. Specific topics covered in recent issues include: the use of cultural neurophenomenology for the understanding of Maya religious belief, agency and the individual, new approaches to rock art and shamanism, the significance of prehistoric monuments, ritual behaviour on Pacific Islands, and body metamorphosis in prehistoric boulder artworks. In addition to major articles and shorter notes, the Cambridge Archaeological Journal includes review features on significant recent books.