一幅肖像画保罗为Trebitsch Trogers (Třebíč):个人身份的原始图像的Hauptaltar在教圣马丁

Q4 Arts and Humanities
Petr Arijčuk
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引用次数: 0

摘要

他生命的最后十年属于维也纳画家保罗·特罗格(1698-1762)生活和工作中鲜为人知的部分。18世纪50年代初,他的个人生活和职业生涯已经发生了重大变化;这也极大地抑制了他的创作活动,从18世纪50年代中期开始,健康问题进一步限制了他的创作活动。实际上,这些因素使他无法亲自参与壁画的创作。虽然特罗格继续接受委托,但他在很大程度上将其委托给他的合作者和维也纳学院的前学生(约瑟夫·豪辛格,弗朗茨·佐勒)。画挂画和祭坛画给他提供了一个单独工作的空间,不需要这样的体力劳动。一个有趣的个人贡献为我们提供了对Troger最后工作时期的了解,这是一幅以前未被注意和未分配的照片,圣马丁与一个乞丐分享他的斗篷,来自布尔诺的摩拉维亚画廊的收藏。根据资料来源,这幅画与1758年左右为Třebíč圣马丁教区教堂主祭坛绘制的原作相吻合。特罗格可能是由他的朋友,雕塑家老约瑟夫·温特哈德(1702-1769)联系上的,在1755年之后,为了建造一个新的主祭坛,他找到了特罗格。特罗格接受了委托,但这幅画本身是由他的一位合作者绘制的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Eine Auftragsarbeit Paul Trogers für Trebitsch (Třebíč) : zur Identifikation eines ursprünglichen Bildes vom Hauptaltar der Pfarrkirche St. Martin
The last ten years of his life belong to the little-considered sections of the life and work of the Vienna-based painter Paul Troger (1698–1762). The start of the 1750s had already brought significant changes into his personal and professional life; these also significantly subdued his creative activity, which was further limited by health problems from the mid-1750s onwards. In practice these prevented him from personal involvement in work on frescos. Although Troger continued to accept commissions, he entrusted their implementation to a large extent to his collaborators and former students of the Vienna Academy (Josef Hauzinger, Franz Zoller). A certain space for him to work alone was offered by the painting of hanging and altar pictures, which did not require such physical effort. An interesting individual contribution to our knowledge of this final period of Troger's work is offered by a previously unnoticed and unassigned picture St Martin sharing his cloak with a beggar from the collections of the Moravian Gallery in Brno. With the help of reports on sources, this painting can be clearly identified with an original image painted around 1758 for the main altar of the parish church of St Martin in Třebíč. Troger was probably contacted by his friend, sculptor Josef Winterhalder the Elder (1702–1769), approached after 1755 regarding the construction of a new main altar. Troger accepted the commission, but the painting itself was then painted by one of his collaborators.
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来源期刊
Opuscula Historiae Artium
Opuscula Historiae Artium Arts and Humanities-Visual Arts and Performing Arts
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