Karel Husa和1989年后他在捷克土地上的工作受到的欢迎

IF 0.1 0 MUSIC
Eva Vičarová
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引用次数: 0

摘要

卡雷尔·胡萨(1921-2016)是一位享誉国际的作曲家。1948年,由于政治原因,胡萨决定不返回祖国,这标志着捷克音乐界与胡萨的关系。他一直是一个不受欢迎的人,直到1989年研究胡萨的作品在捷克共和国过去三十年的表现和接受表明,胡萨的管弦乐,室内乐和独奏作品是由顶级艺术家和几乎所有的管弦乐合奏。除了1968年布拉格最受欢迎的音乐之外,捷克音乐会的观众还被介绍了代表作曲家职业生涯各个阶段的样本。虽然胡莎的作品越来越受欢迎,但它还没有成为音乐会节目的主要内容。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Karel Husa a recepce jeho díla v českých zemích po roce 1989
Karel Husa (1921–2016) is an internationally-acclaimed composer. The relationship of the Czech musical public to Husa was marked by his decision not to return to his homeland in 1948 for political reasons. He remained a persona non grata until 1989 Research into the performance and reception of Husa's work in the Czech Republic over the past thirty years has shown that Husa's orchestral, chamber and solo compositions were played by top artists and nearly all orchestral ensembles. In addition to the most popular Music for Prague 1968, the Czech concert audience have been introduced to a sample representing all the phases of the composer's career. Although Husa's work has been enjoying a growing popularity, it has yet to become a staple of concert programs.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
0
审稿时长
27 weeks
期刊介绍: Musicologica Brunensia is an international peer-reviewed scholarly journal publishing original articles in the field of musicology and related disciplines. The scope of the journal covers a wide range of topics, including not only a historical, but also a systematic area of musicology. The journal is not subject of any geographic restrictions. All submitted papers are double-blind peer review. The journal has been issued twice a year by Masaryk University (Faculty of Arts), Brno, Czech Republic, since 2009.
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