玛丽安娜·马林:制造和解开一个神话。道德立场(二)

Q1 Arts and Humanities
Teona Farmatu
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引用次数: 0

摘要

如果说玛丽安娜·马林的悲剧姿态很大程度上是由她的朋友在她死后塑造的,那么道德的姿态则是由作者自己承担的,并被梅佐斯的集体精神所赋予。悲剧性和道德性这两个范畴相互依存,但却有着不同的影响,证明了作者的接受方式至少有两条错误的途径。首先,女诗人成为浪漫化的英雄小说。其次,伦理立场是模棱两可的,因为一个误读:玛丽安娜·马林所谓的异议——一个从国外为她构建的虚假姿态(由两个流亡的人物:莫妮卡·洛维内斯库和维吉尔·伊伦卡,以及美国译者亚当·j·索金)——与社会政治参与,完全有效,但最终将文本的解释学转向道德的唯一性。因此,作为对作者和她的诗歌的研究,我也会讨论玛丽安娜·马林在其他人的一些诗歌中的虚构化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mariana Marin: facerea și desfacerea unui mit. Postura etică (II)
If Mariana Marin’s tragic posture was largely built posthumously by her friends, the ethical one is assumed by the author herself and entitled by a collective ethos in terms of Meizoz. Interdependent, yet with distinct effects, the two categories mentioned – the tragic and the ethical – certify at least two wrong pathways regarding the author’s reception. Firstly, the woman poet becomes a romanticized-heroic fiction. Secondly, the ethical posture, is ambiguous because of a misreading: Mariana Marin’s so-called dissidence – a fake posture that is constructed for her from outside the country (by the two exiled personalities: Monica Lovinescu and Virgil Ierunca, as well as by the American translator Adam J. Sorkin) – versus a social-political engagement, perfectly valid, but which ends up diverting the hermeneutics of the texts towards the univocality of moral strands. So, being a study of the author and tangentially of her poems, I will also discuss the fictionalization of Mariana Marin within some poems by others.
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来源期刊
Revista Transilvania
Revista Transilvania Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
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