{"title":"设计无关性","authors":"Will Owen Scott-Kemmis","doi":"10.5130/PORTAL.V13I2.5031","DOIUrl":null,"url":null,"abstract":"My job title is ‘designer’ but I’m reluctant to describe myself as a designer for a number of reasons: first, because the practice has a lot to answer for; and second, because I don’t do a whole lot of design. I help groups of people to collaborate and converse their way through problems towards solutions—activating a latent capability for design in people as they think and work differently, together. The sense of agency that accompanies this is intoxicating. This work can produce strategies, systems, and services, as well as spaces, objects, and graphics. The awareness that design can shape both our (intangible) experiences and our (tangible) environments—and that, as a mode of thinking, it can be accessible, inclusive, and participatory—shifts it from a practice to a stance . In this sense, is design a choice that we make to perceive and move through the world in a contextual and intentional way? What does this mean for the practice of design? I respod to these question by reflecting on my experience of participating in the Indonesia Australia Design Futures project.","PeriodicalId":35198,"journal":{"name":"PORTAL: Journal of Multidisciplinary International Studies","volume":"13 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2016-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5130/PORTAL.V13I2.5031","citationCount":"0","resultStr":"{\"title\":\"Designing for Irrelevance\",\"authors\":\"Will Owen Scott-Kemmis\",\"doi\":\"10.5130/PORTAL.V13I2.5031\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"My job title is ‘designer’ but I’m reluctant to describe myself as a designer for a number of reasons: first, because the practice has a lot to answer for; and second, because I don’t do a whole lot of design. I help groups of people to collaborate and converse their way through problems towards solutions—activating a latent capability for design in people as they think and work differently, together. The sense of agency that accompanies this is intoxicating. This work can produce strategies, systems, and services, as well as spaces, objects, and graphics. The awareness that design can shape both our (intangible) experiences and our (tangible) environments—and that, as a mode of thinking, it can be accessible, inclusive, and participatory—shifts it from a practice to a stance . In this sense, is design a choice that we make to perceive and move through the world in a contextual and intentional way? What does this mean for the practice of design? I respod to these question by reflecting on my experience of participating in the Indonesia Australia Design Futures project.\",\"PeriodicalId\":35198,\"journal\":{\"name\":\"PORTAL: Journal of Multidisciplinary International Studies\",\"volume\":\"13 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-08-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.5130/PORTAL.V13I2.5031\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PORTAL: Journal of Multidisciplinary International Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5130/PORTAL.V13I2.5031\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PORTAL: Journal of Multidisciplinary International Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5130/PORTAL.V13I2.5031","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Social Sciences","Score":null,"Total":0}
My job title is ‘designer’ but I’m reluctant to describe myself as a designer for a number of reasons: first, because the practice has a lot to answer for; and second, because I don’t do a whole lot of design. I help groups of people to collaborate and converse their way through problems towards solutions—activating a latent capability for design in people as they think and work differently, together. The sense of agency that accompanies this is intoxicating. This work can produce strategies, systems, and services, as well as spaces, objects, and graphics. The awareness that design can shape both our (intangible) experiences and our (tangible) environments—and that, as a mode of thinking, it can be accessible, inclusive, and participatory—shifts it from a practice to a stance . In this sense, is design a choice that we make to perceive and move through the world in a contextual and intentional way? What does this mean for the practice of design? I respod to these question by reflecting on my experience of participating in the Indonesia Australia Design Futures project.
期刊介绍:
PORTAL Journal of Multidisciplinary International Studies is a fully peer reviewed journal with two main issues per year, and is published by UTSePress. In some years there may be additional special focus issues. The journal is dedicated to publishing scholarship by practitioners of—and dissenters from—international, regional, area, migration, and ethnic studies. Portal also provides a space for cultural producers interested in the internationalization of cultures. Portal is conceived as a “multidisciplinary venture,” to use Michel Chaouli’s words. That is, Portal signifies “a place where researchers [and cultural producers] are exposed to different ways of posing questions and proffering answers, without creating out of their differing disciplinary languages a common theoretical or methodological pidgin” (2003, p. 57). Our hope is that scholars working in the humanities, social sciences, and potentially other disciplinary areas, will encounter in Portal scenarios about contemporary societies and cultures and their material and imaginative relation to processes of transnationalization, polyculturation, transmigration, globalization, and anti-globalization.