设计无关性

Q3 Social Sciences
Will Owen Scott-Kemmis
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引用次数: 0

摘要

我的工作头衔是“设计师”,但我不愿意将自己描述为设计师,原因有很多:首先,因为实践有很多需要回答的问题;第二,因为我不怎么做设计。我帮助一群人合作,通过问题找到解决方案——当他们一起以不同的方式思考和工作时,激活人们潜在的设计能力。伴随而来的代理感令人陶醉。这项工作可以产生策略、系统和服务,也可以产生空间、对象和图形。意识到设计可以塑造我们的(无形的)体验和我们的(有形的)环境,并且作为一种思维模式,它可以是可访问的,包容性的和参与性的,将它从实践转变为立场。从这个意义上说,设计是我们以一种情境和有意识的方式感知和移动世界的选择吗?这对设计实践意味着什么?我通过反思我参与印尼澳大利亚设计未来项目的经历来回答这些问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Designing for Irrelevance
My job title is ‘designer’ but I’m reluctant to describe myself as a designer for a number of reasons: first, because the practice has a lot to answer for; and second, because I don’t do a whole lot of design. I help groups of people to collaborate and converse their way through problems towards solutions—activating a latent capability for design in people as they think and work differently, together. The sense of agency that accompanies this is intoxicating. This work can produce strategies, systems, and services, as well as spaces, objects, and graphics. The awareness that design can shape both our (intangible) experiences and our (tangible) environments—and that, as a mode of thinking, it can be accessible, inclusive, and participatory—shifts it from a practice to a stance . In this sense, is design a choice that we make to perceive and move through the world in a contextual and intentional way? What does this mean for the practice of design? I respod to these question by reflecting on my experience of participating in the Indonesia Australia Design Futures project.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
4
审稿时长
52 weeks
期刊介绍: PORTAL Journal of Multidisciplinary International Studies is a fully peer reviewed journal with two main issues per year, and is published by UTSePress. In some years there may be additional special focus issues. The journal is dedicated to publishing scholarship by practitioners of—and dissenters from—international, regional, area, migration, and ethnic studies. Portal also provides a space for cultural producers interested in the internationalization of cultures. Portal is conceived as a “multidisciplinary venture,” to use Michel Chaouli’s words. That is, Portal signifies “a place where researchers [and cultural producers] are exposed to different ways of posing questions and proffering answers, without creating out of their differing disciplinary languages a common theoretical or methodological pidgin” (2003, p. 57). Our hope is that scholars working in the humanities, social sciences, and potentially other disciplinary areas, will encounter in Portal scenarios about contemporary societies and cultures and their material and imaginative relation to processes of transnationalization, polyculturation, transmigration, globalization, and anti-globalization.
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