协商时间:作为历史实践的设计

Q3 Social Sciences
C. Lin, A. Moon
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引用次数: 2

摘要

在雅加达北部,2016年4月11日Kampung Pasar Ikan被驱逐后的废墟呈现出激进的转型和城市规划。驱逐行动的部分动机是荷兰-印度尼西亚联盟,为了建造一座400亿美元的海堤和填海造岛,以防止城市缓慢下沉。在这篇文章中,我们首先要问,生活在帕萨伊坎的人们如何通过修复来应对和制定他们自己的未来?在一片完全失修的土地上修缮是什么样子的呢?在这个过程中,历史是如何被抹去又被改写的?然后我们转移到西加里曼丹,在那里,一个DIY无人机团体制造空中无人机技术,并训练团队绘制他们认为容易受到资源开发商入侵的土地。我们问,森林是如何被这些和其他制图方法定位、识别和构成的?西加里曼丹的森林边界是在谁的时间和什么时候通过测绘技术设定和重置的?这些地图是如何成为传播和影响人们对历史的思考和实践的人工制品的?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Negotiating Time: Design as Historical Practice
In North Jakarta, the bulldozed remnants of the April 11 (2016) eviction of Kampung Pasar Ikan presented a site of radical transformation and urban planning. The eviction was in part motivated by a Dutch-Indonesian alliance, to construct a 40 billion USD sea wall and reclaimed islands to prevent the city from slowly sinking. In this text we start by asking, how are people living in Pasar Ikan responding to and enacting their own futures through repair? What does repair in a landscape of complete disrepair look like? And how is history both erased and enacted in this process? We then move to West Kalimantan where a DIY drone collective makes aerial drone technology and trains groups to map land that they say is vulnerable to incursions by resource developers. We ask, how is the forest located, recognized and constituted by these and other cartographic practices? Whose time and in what time are forest boundaries set and reset by mapping techniques in West Kalimantan? How do these cartographies become artifacts that travel and influence how history is thought and practiced?
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
4
审稿时长
52 weeks
期刊介绍: PORTAL Journal of Multidisciplinary International Studies is a fully peer reviewed journal with two main issues per year, and is published by UTSePress. In some years there may be additional special focus issues. The journal is dedicated to publishing scholarship by practitioners of—and dissenters from—international, regional, area, migration, and ethnic studies. Portal also provides a space for cultural producers interested in the internationalization of cultures. Portal is conceived as a “multidisciplinary venture,” to use Michel Chaouli’s words. That is, Portal signifies “a place where researchers [and cultural producers] are exposed to different ways of posing questions and proffering answers, without creating out of their differing disciplinary languages a common theoretical or methodological pidgin” (2003, p. 57). Our hope is that scholars working in the humanities, social sciences, and potentially other disciplinary areas, will encounter in Portal scenarios about contemporary societies and cultures and their material and imaginative relation to processes of transnationalization, polyculturation, transmigration, globalization, and anti-globalization.
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