雅罗米涅和波利卡的玛丽安·鼠疫柱:18世纪上半叶波西米亚城市公共空间巴洛克雕塑装饰的比较研究

IF 0.1 Q4 HISTORY
Jana Vojtíšková, Petr Polehla
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引用次数: 0

摘要

基于碎片保存的来源以及与该主题相关的现有文献(特别是区域史学,艺术史和历史保护),本研究将玛丽安瘟疫专栏置于更广泛的背景下。通过对两个人口相当的东波西米亚小城镇的比较,它遵循了在复杂的巴洛克雕塑作品创作中发挥重要作用的因素。同时,它的目的是通过雕塑在公共空间中的位置来确定它们要实现的功能。从这个意义上说,这项研究受到了彼得·伯克的经典论文《17世纪意大利的炫耀性消费》的启发,该论文认为“消费”是一种特定的交流形式。玛丽安瘟疫柱的组成可以被视为一种不可否认的交流形式。从多个角度来看,文章记录了一些关键的决定因素,这些因素有时相当令人惊讶,影响着雕塑作品的部分组成部分的选择,以及它们的整体印象——交流意图。这两根玛丽安瘟疫柱,到今天都是装饰城镇公共空间的最重要的纪念碑,因此以跨学科的方式进行处理特别是在城镇的历史背景下,他们的庄园和东波西米亚地区。因此,两镇及其周边地区的宗教状况也不容忽视。关于雅洛姆涅斯和波利卡是王室嫁妆城镇的事实,玛丽安瘟疫柱也反映了与波西米亚女王的关系,这是用文字表达的。特别是波利卡的艺术作品及其创作相关的事件,重要地标志着“炫耀性消费”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Marian Plague Columns in Jaroměř and Polička: A Comparative Study on Baroque Sculptural Decorations of the Bohemian Urban Public Space in the First Half of the Eighteenth Century
Based on fragmentally preserved sources as well as existing literature related to the topic (especially regional historiography, art history and historic preservation), the present study sets Marian plague columns into a broader context. Through the comparison of two minor East-Bohemian towns of a comparable population, it follows the factors playing a signifi cant role in the creation of complex Baroque sculptural compositions. At the same time, it aims to identify the functions that the sculptures were to fulfi l through their position in the public space. In this sense the study is inspired by the classic essay by Peter Burke called Conspicuous consumption in seventeenth-century Italy, which considers “the consumption” to be a specifi c form of communication. The composition of Marian plague columns can be perceived as an undeniable form of communication. From multiple perspectives, the article documents the key determinants, which are sometimes rather surprising, infl uencing the choice of partial components of the sculptural compositions as well as their overall impression – the communicative intention. Both Marian plague columns, to this day the most important monuments decorating the public space of the towns in question, are therefore approached in an interdisciplinary way especially in the context of the history of the towns, their manors and the East-Bohemian region. Therefore, the religious situation of both towns and their surroundings is not overlooked either. With regard to the fact that Jaroměř and Polička have been royal dowry towns, the Marian plague columns also refl ect the relation to the Bohemian queen, which is expressed verbally as inscriptions on them. In particular, the artwork in Polička and the events related to its creation importantly signalize the “conspicuous consumption”.
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