{"title":"菲奥娜·格里菲斯和凯瑟琳·斯塔基编。感官反射:中世纪文物的经验痕迹","authors":"M. Bagnoli","doi":"10.32773/nqyl6267","DOIUrl":null,"url":null,"abstract":"Review of Fiona Griffiths and Kathryn Starkey, eds. Sensory Reflections: Traces of Experience in Medieval Artifacts by Martina Bagnoli","PeriodicalId":35070,"journal":{"name":"Studies in Iconography","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Fiona Griffiths and Kathryn Starkey, eds. Sensory Reflections: Traces of Experience in Medieval Artifacts\",\"authors\":\"M. Bagnoli\",\"doi\":\"10.32773/nqyl6267\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Review of Fiona Griffiths and Kathryn Starkey, eds. Sensory Reflections: Traces of Experience in Medieval Artifacts by Martina Bagnoli\",\"PeriodicalId\":35070,\"journal\":{\"name\":\"Studies in Iconography\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Iconography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32773/nqyl6267\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Iconography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32773/nqyl6267","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
期刊介绍:
Studies in Iconography is an annual that contains original essays that study the visual culture of the period before 1600. Each volume includes an overview of scholarship on a topic of current interest, approached from an interdisciplinary and/or theoretical perspective; five to seven articles that often highlight interdisciplinary concerns; and six to ten in-depth reviews of important recent scholarly books, facsimiles, and catalogues. The editors expecially encourage essays that explore newer approaches developed in areas such as semiotics, cultural anthropology, gender studies, ideological critique, and social history as well as those that incorporate the perspectives of the new art history, the new historicism, and other histories of representation.