{"title":"伦堡的意第绪语金佩尔剧院:被遗忘的奥德赛","authors":"Delphine Bechtel","doi":"10.4000/yod.659","DOIUrl":null,"url":null,"abstract":"The specialists of Yiddish theatre have largely ignored the importance of the Yiddish theatre in Lemberg (Lwow or, today, Lviv, in the Ukraine), founded in 1889 by Jakob Ber Gimpel (1840-1906). When the founder died, his descendants took charge of the theatre, until the war put an end to its activities in 1939. The article recounts the fifty years during which the Gimpel theatre, despite being rashly accused of spreading “shund” (second-rank culture), was a central institution of Yiddish culture in Galicia. Many testimonies of Galician Jews, written in Yiddish, German, Polish or English mention the important role played by the Yiddish theatre of Lemberg in their intellectual evolution. The Gimpel theatre attracted important figures of American Yiddish theatre and became a breeding ground for artists who then left for Berlin, Vienna, New York or even Hollywood, like Rudolf Schildkraut or Paul Muni. The article also recalls the three generations of the Gimpel family (actors, musicians), who played a role of mediation between scholarly and popular culture, between Polish, Austrian, Jewish, and American spheres, between various traditions and identities. Artists from Lemberg also had an important part in the Yiddish music produced at the beginning of the XXth century. These voices from the past, now audible again thanks to the Internet, are waiting to be included in new cultural projects.","PeriodicalId":53276,"journal":{"name":"Yod","volume":"1 1","pages":"83-98"},"PeriodicalIF":0.0000,"publicationDate":"2011-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Le théâtre yiddish Gimpel de Lemberg : une Odyssée oubliée\",\"authors\":\"Delphine Bechtel\",\"doi\":\"10.4000/yod.659\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The specialists of Yiddish theatre have largely ignored the importance of the Yiddish theatre in Lemberg (Lwow or, today, Lviv, in the Ukraine), founded in 1889 by Jakob Ber Gimpel (1840-1906). When the founder died, his descendants took charge of the theatre, until the war put an end to its activities in 1939. The article recounts the fifty years during which the Gimpel theatre, despite being rashly accused of spreading “shund” (second-rank culture), was a central institution of Yiddish culture in Galicia. Many testimonies of Galician Jews, written in Yiddish, German, Polish or English mention the important role played by the Yiddish theatre of Lemberg in their intellectual evolution. The Gimpel theatre attracted important figures of American Yiddish theatre and became a breeding ground for artists who then left for Berlin, Vienna, New York or even Hollywood, like Rudolf Schildkraut or Paul Muni. The article also recalls the three generations of the Gimpel family (actors, musicians), who played a role of mediation between scholarly and popular culture, between Polish, Austrian, Jewish, and American spheres, between various traditions and identities. Artists from Lemberg also had an important part in the Yiddish music produced at the beginning of the XXth century. These voices from the past, now audible again thanks to the Internet, are waiting to be included in new cultural projects.\",\"PeriodicalId\":53276,\"journal\":{\"name\":\"Yod\",\"volume\":\"1 1\",\"pages\":\"83-98\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2011-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Yod\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/yod.659\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Yod","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/yod.659","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
意第绪语剧院的专家们在很大程度上忽视了意第绪语剧院在Lemberg (Lwow,或今天乌克兰的Lviv)的重要性,该剧院由Jakob Ber Gimpel(1840-1906)于1889年创立。创始人去世后,他的后代接管了剧院,直到1939年战争结束。这篇文章叙述了Gimpel剧院在过去的五十年里,尽管被轻率地指责为传播“shund”(二等文化),但它是加利西亚意第绪文化的中心机构。加利西亚犹太人的许多证词,用意第绪语、德语、波兰语或英语写的,提到了Lemberg的意第绪语剧院在他们的智力进化中发挥的重要作用。金普尔剧院吸引了美国意第绪语剧院的重要人物,并成为后来前往柏林、维也纳、纽约甚至好莱坞的艺术家的滋生地,如鲁道夫·席尔德克劳特(Rudolf Schildkraut)或保罗·穆尼(Paul Muni)。文章还回顾了Gimpel家族的三代人(演员、音乐家),他们在学术文化和大众文化之间、在波兰、奥地利、犹太和美国领域之间、在各种传统和身份之间发挥了调解作用。来自Lemberg的艺术家也在20世纪初的意第绪语音乐中发挥了重要作用。这些来自过去的声音,现在因互联网而再次被听到,等待着被纳入新的文化项目。
Le théâtre yiddish Gimpel de Lemberg : une Odyssée oubliée
The specialists of Yiddish theatre have largely ignored the importance of the Yiddish theatre in Lemberg (Lwow or, today, Lviv, in the Ukraine), founded in 1889 by Jakob Ber Gimpel (1840-1906). When the founder died, his descendants took charge of the theatre, until the war put an end to its activities in 1939. The article recounts the fifty years during which the Gimpel theatre, despite being rashly accused of spreading “shund” (second-rank culture), was a central institution of Yiddish culture in Galicia. Many testimonies of Galician Jews, written in Yiddish, German, Polish or English mention the important role played by the Yiddish theatre of Lemberg in their intellectual evolution. The Gimpel theatre attracted important figures of American Yiddish theatre and became a breeding ground for artists who then left for Berlin, Vienna, New York or even Hollywood, like Rudolf Schildkraut or Paul Muni. The article also recalls the three generations of the Gimpel family (actors, musicians), who played a role of mediation between scholarly and popular culture, between Polish, Austrian, Jewish, and American spheres, between various traditions and identities. Artists from Lemberg also had an important part in the Yiddish music produced at the beginning of the XXth century. These voices from the past, now audible again thanks to the Internet, are waiting to be included in new cultural projects.