{"title":"《慢》:阿佩尔菲尔德小说中母题的编曲","authors":"Yigal Schwartz","doi":"10.4000/YOD.2071","DOIUrl":null,"url":null,"abstract":"Many researchers and critics have employed the notion of “lyrical prose” in order to describe Appelfeld’s style, yet nobody so far attempted to critically examine this description. In my intervention, I shall attempt to re-examine the notion of “lyrical prose” by relating it to different levels in Appelfeld’s prose as well as to his general poetics and worldview.","PeriodicalId":53276,"journal":{"name":"Yod","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2014-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Le’at (Slowly): The Orchestration of a Motif in Appelfeld’s Fiction\",\"authors\":\"Yigal Schwartz\",\"doi\":\"10.4000/YOD.2071\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Many researchers and critics have employed the notion of “lyrical prose” in order to describe Appelfeld’s style, yet nobody so far attempted to critically examine this description. In my intervention, I shall attempt to re-examine the notion of “lyrical prose” by relating it to different levels in Appelfeld’s prose as well as to his general poetics and worldview.\",\"PeriodicalId\":53276,\"journal\":{\"name\":\"Yod\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-05-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Yod\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/YOD.2071\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Yod","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/YOD.2071","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Le’at (Slowly): The Orchestration of a Motif in Appelfeld’s Fiction
Many researchers and critics have employed the notion of “lyrical prose” in order to describe Appelfeld’s style, yet nobody so far attempted to critically examine this description. In my intervention, I shall attempt to re-examine the notion of “lyrical prose” by relating it to different levels in Appelfeld’s prose as well as to his general poetics and worldview.