阿哈伦·阿佩尔菲尔德两部中篇小说中的残疾隐喻

Yod Pub Date : 2014-05-30 DOI:10.4000/YOD.2055
Y. Ben-Mordechai
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引用次数: 1

摘要

阿佩尔费尔的两部中篇小说是虚构的犹太残疾人自传。《寒冬之旅》中的库蒂是个口吃者,而《愤怒尚未结束》中的布鲁诺是一个被截肢的单手男子。这两部中篇小说都是主人公的独白。它们都以同样的模式开始,主人公通过陈述自己的名字和残疾来介绍自己。残疾是他们身份的一个组成部分和主要组成部分。虽然这两部中篇小说的情节各不相同,但在范式上却有着显著的相似性。在这两首诗中,残疾及其含义都不是以现实的方式表现出来的,而是以抒情的方式表现出来的。它们作为一种隐喻,阿佩尔菲尔德通过它来审视中篇小说中犹太主人公的核心和本质。这个比喻具有典范的功能。根据这种范式,每一个散居在外的犹太人都有一种残疾。这种残疾造成了许多问题和困难,但同时它也是一种美德,一种优势。这使犹太人与众不同,与众不同。这让他们有不同的想法,有不同的道德和承诺。根据这两篇中篇小说,这种崇高的残疾是犹太人独特性的核心和本质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Disability as Metaphor in Two Novellas of Aharon Appelfeld
Two of Appelfel’s novellas are fictional autobiographies of disabled Jewish persons. Kutti in A Journey into Winter is a stammerer and Bruno in And the Rage Is Not Yet Over is an amputee–one-handed man. The two novellas are written as monologues of their protagonists. Both of them begin with the same pattern as the protagonist introduces himself by stating his name and disability. The disability is an integral part and a major component of their identity.Although the plots of the two novellas differ from each other, there is a significant paradigmatic similarity between the novellas. In both of them the disabilities and their implications are represented not in a realistic way but in lyrical one. They function as a metaphor through which Appelfeld examines the core and essence of the Jewish protagonists of the novellas.This metaphor has a paradigmatic function. According to the paradigm, every Jew in the Diaspora has a kind of disability. This disability causes many problems and difficulties, but at the same time it is a virtue, an advantage. It makes the Jews special and unique, different from other people. It makes them think differently, have different morality and commitments. According to these two novellas this sublime disability is the core and essence of the uniqueness of the Jewish people.
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