从盾形纹章到帕尔苏纳(索菲亚公主肖像Alekseуevna“在鹰中”)

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY

Slovene-International Journal of Slavic Studies Pub Date : 2021-01-01 DOI:10.31168/2305-6754.2021.10.1.7

B. Uspenskij

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引用次数: 0

摘要

这篇文章专门讨论索菲亚·阿列克谢耶夫娜公主的肖像，这些肖像被放置在双头鹰的代表中(所谓的“鹰中”肖像)。有三幅这样的画和一幅雕刻(后者已不复存在)。这幅雕刻是由莱昂或亚历山大·塔拉塞维奇于1689年制作的(不排除亚历山大·塔拉塞维奇和莱昂·塔拉塞维奇是同一个人，有两个名字)，而肖像画似乎是根据雕刻而成的。毫无疑问，这幅作品有一个西方的原型:索菲亚·阿列克谢耶夫娜的肖像模仿了神圣罗马帝国皇帝利奥波德一世的肖像。然而，在俄罗斯的背景下，公主的肖像可以被认为是对俄罗斯国徽的修改，传统上，在双头鹰中有君主的形象。有理由相信，这些肖像是为索菲娅·阿列克谢耶夫娜的加冕典礼准备的，该典礼似乎计划于1689年9月1日举行。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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From a Coat of Arms to a Parsuna (Portrait of Princess Sophia Alekseуevna “in the Eagle”)

The article is devoted to the portraits of Princess Sophia Alekseyevna placed in the representation of the two-headed eagle (so-called portraits “in the eagle”). There are three paintings of this kind and an engraving (the latter has not survived). The engraving was made by Leon or Alexander Tarassevich in 1689 (it is not excluded that Alexander Tarassevich and Leon Tarassevich were one and the same person with a double name) while the portraits seem to have been modelled on the engraving. The composition in question has undoubtedly a Western prototype: the portraits of Sophia Alekseyevna imitated a portrait of Leopold I, the Holy Roman emperor. However in the Russian context the portraits of the Princess could be perceived as a modification of the Russian coat of arms where traditionally there was an image of the monarch within the two-headed eagle. There are grounds to believe that the portraits were intended for the coronation of Sophia Alekseyevna which seems to be planned on the 1st of September 1689.

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来源期刊

Slovene-International Journal of Slavic Studies HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

50.00%

发文量

审稿时长

20 weeks

期刊介绍： The Journal Slověne = Словѣне is a periodical focusing on the fields of the arts and humanities. In accordance with the standards of humanities periodicals aimed at the development of national philological traditions in a broad cultural and academic context, the Journal Slověne = Словѣне is multilingual but with a focus on papers in English. The Journal Slověne = Словѣне is intended for the exchange of information between Russian scholars and leading universities and research centers throughout the world and for their further professional integration into the international academic community through a shared focus on Slavic studies. The target audience of the journal is Slavic philologists and scholars in related disciplines (historians, cultural anthropologists, sociologists, specialists in comparative and religious studies, etc.) and related fields (Byzantinists, Germanists, Hebraists, Turkologists, Finno-Ugrists, etc.). The periodical has a pronounced interdisciplinary character and publishes papers from the widest linguistic, philological, and historico-cultural range: there are studies of linguistic typology, pragmalinguistics, computer and applied linguistics, etymology, onomastics, epigraphy, ethnolinguistics, dialectology, folkloristics, Biblical studies, history of science, palaeoslavistics, history of Slavic literatures, Slavs in the context of foreign languages, non-Slavic languages and dialects in the Slavic context, and historical linguistics.