克麦罗沃地区楚瓦什移民歌曲民俗中的分离主题

Q2 Arts and Humanities
E. I. Ismagilova, E. Fedotova
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引用次数: 0

摘要

本文考察了分离主题在克麦罗沃地区楚瓦什定居者1951年和2007年录制的歌曲文本中的体现。这个主题出现在客人和招募歌曲中,在楚瓦什人被迫重新安置到新土地的过程中创作的移民歌曲中。在格言式的短情节歌曲中,分离的主题通常以单独的单词和言语转折的形式表现出来——指向它的“迹象”。在客座歌曲中,分离的主题通常是通过回忆、遥远的距离、遗弃和悲伤的形象来表达的。哭泣、告别、大城市的“标志”,象征着外国的一面,恰恰在征兵歌曲中盛行;其中,分离的主题听起来特别戏剧化和紧张。在移民歌曲中,对客歌和新兵歌中所呈现的形象进行了总结。此外,在移民的歌曲中也有对迁移和新地方恶劣生活条件的详细描述。也许,这样一个话题是专门与20世纪中叶传统的承持者有关的,这与他们在20世纪初被迫安置在西伯利亚的记忆有关,也与伟大卫国战争时期的艰难考验有关。尽管我们认为不同时期的录音中没有歌曲变体,但克麦罗沃地区当地Chuvash传统的民间传说样本中有一定的连续性。它体现在许多被考虑的歌曲的相似主题及其表达特征(一般词语是表示分离主题的“符号”,许多文本中保留了双环比喻平行的原则)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Theme of Separation in the Song Folklore of the Chuvash Settlers of the Kemerovo Region
This paper examines the embodiment of the theme of separation in the song texts recorded in 1951 and 2007 from the Chuvash settlers of the Kemerovo region. This theme is present in guest and recruit songs, in the songs of immigrants created in the process of forced resettlement of the Chuvash to new lands. In aphoristic short-plot songs, the theme of separation often manifests itself in the form of separate words and verbal turns – “signs” that point to it. In guest songs, the theme of separation is conveyed most often through images of memories, distant distances, abandonment, sadness. “Signs” of crying, farewell, big cities, symbolizing the foreign side, prevail precisely in recruit songs; in them, the theme of separation sounds especially dramatic and tense. In the songs of the settlers, the images present in the guest and recruit songs are summed up. In addition, in the songs of the settlers there are detailed descriptions of the move and the harsh living conditions in new places. Probably, such a topic was relevant specifically for the bearers of the tradition in the middle of the 20th century, which is associated with their memories of forced resettlement in Siberia at the beginning of the 20th century, as well as with the memory of the difficult trials of the period of the Great Patriotic War. Despite the absence of song variants in the recordings of different times considered by us, there is a certain continuity in the folklore samples of the local Chuvash tradition of the Kemerovo region. It manifests itself in the similar themes of a number of the considered songs and the features of its expression (general words are “signs” indicating the theme of separation, the principle of two-link figurative parallelism is preserved in many texts).
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来源期刊
Kritika i Semiotika
Kritika i Semiotika Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
15
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