About the Problem of Exposure of Author’s Coding Methods in Works of V. M. Shukshin

The unicity of Shukshin’s oeuvre is that from the middle of 1960s when he is consciously seeking for and invents coding tools of his creations. The author himself has pointed out some methods of «code» creation. He pays attention to the “change of emphasis”, “hints”, “nuances”, things which are said at a glance, cursorily, on parts of text which appear to be secondary. The actual problems, questions, node of the conflict and the conflict itself can be described by Shukshin in one creation, but the extension, comments, answers or the variant of the pay-off are described in another one, which is published many years after. That is why there are a lot of double characters, double episodes, story- lines, which stand in the inter decoding position. So everything that is about author’s code should be considered as the main thing as the author directed to us. The aim of such art strategy is to tell the truth about the time, to state the hate and revolt. This article is about the methods, which Shukshin used, while coding the novels “Director”, “Rhetorical device” and “Order”, and also about clearing up the point of this code.