文艺复兴时期加泰罗尼亚的建筑和艺术

Q3 Arts and Humanities
Joaquim Garriga i Riera
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引用次数: 0

摘要

这是对文艺复兴时期加泰罗尼亚建筑、雕塑和绘画转型过程的概述。它试图重建晚期哥特模式被意大利孕育的新文艺复兴范式所取代的基本变革时代,从而开启了该国艺术的现代周期。尽管研究和解释这一时期文化遗产的加泰罗尼亚历史传统相对缺乏——19世纪和20世纪的大规模破坏摧毁了这一时期的文化遗产,尤其是针对宗教作品的破坏——我们开始追踪吸收文艺复兴进程的主要轮廓,文艺复兴始于16世纪,直到17世纪才达到高潮。出现的是大量的艺术产出,转型中的主要代理人和因素,融合变化的缓慢而稳定的步伐,混合的长期阶段以及对文艺复兴特征的不均匀接受,这取决于建筑或具象艺术的不同参数。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Architecture and the arts in Catalonia during the Renaissance
This is an overview of the process of transformation of the architecture, sculpture and painting of Catalonia during the Renaissance. It attempts to reconstruct the fundamental era of changes when the late Gothic models were replaced by the new Renaissance paradigm gestated in Italy, thus ushering in the modern cycle of arts in the country. Despite the relative dearth of a Catalan historiographic tradition that studies and explains the cultural heritage from this period – which was decimated by the massive destruction in the 19th and 20th centuries, which particularly targeted religious works – we begin to trace the major outlines of the process of assimilating the Renaissance which got underway in the 16th century and did not culminate until well into the 17th century. What emerges is the notable volume of artistic output undertaken, the main agents and factors in the transformation, the slow yet steady pace of the incorporation of changes, the long phase of hybridisation and the uneven acceptance of Renaissance features depending on the different parametersof architecture or figurative arts considered.
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来源期刊
Catalan Historical Review
Catalan Historical Review Arts and Humanities-History
CiteScore
0.30
自引率
0.00%
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0
审稿时长
30 weeks
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