《奇迹之年:现代主义史上的1922》

Q4 Arts and Humanities
O. Antsyferova, A. Astvatsaturov, I. Morozova, O. Panova, O. Polovinkina, I. Shaitanov, V. M. Tolmatchoff, Olga M. Ushakova, A. Zinovieva
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引用次数: 0

摘要

2022年12月8日,在俄罗斯国立人文大学(莫斯科)举行了一场国际学术会议,致力于将1922年作为美国和欧洲现代主义历史上的一个重要里程碑。这次会议旨在1922年的文化重建,由俄罗斯国立人文大学比较历史文学研究系和A.M.俄罗斯科学院高尔基世界文学研究所。美国文学史在会议议程中占有重要地位。全体会议的主题是T.S.艾略特,他的诗《荒原》发表于1922年。Olga Polovinkina(俄罗斯国立人文大学,硕士俄罗斯科学院高尔基世界文学研究所)谈到了音乐厅美学对《荒原》结构的重要性。Igor Shaitanov(俄罗斯国立人文大学,俄罗斯国家经济和公共行政总统学院)将《荒原》与Evegny Zamyatin的《阿拉提尔》相提并论。莫斯科国立罗蒙诺索夫大学的Vassily Tolmatchoff对《J. Alfred Prufrock的情歌》提出了新的诠释。A.A. Astvatsaturov(圣彼得堡国立大学)将T.S.艾略特的现代主义作品与亨利·米勒的创作态度和自我塑造进行了比较。亚历山德拉·季诺维耶娃(莫斯科国立大学罗蒙诺索夫分校)谈到了艾略特《荒原》的女主人公玛丽·路易斯·伊丽莎白·拉里斯瓦·冯·蒙尼奇伯爵夫人,以及她在20世纪10年代末至20世纪20年代初参与的德国和奥地利电影项目。Olga Panova(罗蒙诺索夫莫斯科国立大学俄罗斯科学院高尔基世界文学研究所)在哈莱姆文艺复兴的历史中重建了1922年。Irina Morozova(俄罗斯国立人文大学)认为1922年是美国法老狂热史上的一个重要时期。Olga Antsyferova(圣彼得堡国立大学)分析了《1922:文学、文化、政治》一书(Jean-Michel rabat主编;剑桥大学出版社,2015年),展示了历史同时性的方法如何在文化研究的材料上起作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Annus Mirabilis: 1922 in the History of Modernism
On December 8, 2022, an international academic conference dedicated to the year 1922 as an important milestone in the history of American and European Modernism was held at the Russian State University of Humanities (Moscow). The conference aimed at the cultural reconstruction of 1922 and was organized by the Department of Comparative-Historical Literary Studies, Russian State University for the Humanities, and A.M. Gorky Institute of World Literature of the Russian Academy of Sciences. American literary history occupied a prominent place in the program of the conference. The plenary session was devoted to T.S. Eliot, whose poem The Waste Land was published in 1922. Olga Polovinkina (Russian State University for the Humanities, A.M. Gorky Institute of World Literature of the Russian Academy of Sciences) spoke about the importance of the aesthetics of the music hall for the strcture The Waste Land. Igor Shaitanov (Russian State University of Humanities, The Russian Presidential Academy of National Economy and Public Administration) drew a parallel between The Waste Land and Evegny Zamyatin's Alatyr’. Vassily Tolmatchoff (Lomonosov Moscow State University) suggested a new interpretation of the “Love Song of J. Alfred Prufrock”. A.A. Astvatsaturov (St. Petersburg State University) considered T.S. Eliot’s modernist work in comparison with the creative attitudes and self-fashioning of Henry Miller. Alexandra Zinovieva (Lomonosov Moscow State University) spoke about Countess Marie Louise Elisabeth Larisсh von Moennich, the heroine of T.S. Eliot’s The Waste Land, and her participation in German and Austrian cinematographic projects of the late 1910s — early 1920s. Olga Panova (A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, Lomonosov Moscow State University) reconstructed the year 1922 in the history of the Harlem Renaissance. Irina Morozova (Russian State University of Humanities) presented the year 1922 as an important period in the history of American pharaohmania. Olga Antsyferova (St. Petersburg State University) analysed the book 1922: Literature, Culture, Politics (ed. by Jean-Michel Rabaté; Cambridge University Press, 2015) showing how the methodology of historical simultaneity works on the material of culture studies.
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