{"title":"重读杰克逊·波洛克的《母狼》","authors":"Alexander B. Herman, J. Paoletti","doi":"10.2307/1483792","DOIUrl":null,"url":null,"abstract":"Jackson Pollock painted his She-Wolf in 1943 on the eve of his first major exhibition in Peggy Guggenheim's Art of This Century gallery. Coming at a critical moment in his career, both in terms of his own stylistic development and in terms of his recognition, the painting was purchased very soon thereafter by the Museum of Modern Art. But, despite its familiarity, it has continued to elude satisfactory explanation of his meaning. This article serves as a further step to understanding the painting's content and Pollock's working process by revealing new figures within the picture, by associating drawings from the same time period with the painting, and by suggesting new sources for its imagery.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"25 1","pages":"139-155"},"PeriodicalIF":0.1000,"publicationDate":"2004-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1483792","citationCount":"2","resultStr":"{\"title\":\"Re-Reading Jackson Pollock's \\\"She-Wolf\\\"\",\"authors\":\"Alexander B. Herman, J. Paoletti\",\"doi\":\"10.2307/1483792\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Jackson Pollock painted his She-Wolf in 1943 on the eve of his first major exhibition in Peggy Guggenheim's Art of This Century gallery. Coming at a critical moment in his career, both in terms of his own stylistic development and in terms of his recognition, the painting was purchased very soon thereafter by the Museum of Modern Art. But, despite its familiarity, it has continued to elude satisfactory explanation of his meaning. This article serves as a further step to understanding the painting's content and Pollock's working process by revealing new figures within the picture, by associating drawings from the same time period with the painting, and by suggesting new sources for its imagery.\",\"PeriodicalId\":43492,\"journal\":{\"name\":\"Artibus et Historiae\",\"volume\":\"25 1\",\"pages\":\"139-155\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2004-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/1483792\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Artibus et Historiae\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/1483792\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artibus et Historiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/1483792","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 2
摘要
杰克逊·波洛克(Jackson Pollock)于1943年在佩吉·古根海姆(Peggy Guggenheim)的本世纪艺术画廊(Art of This Century)举办的首次大型展览前夕,画了这幅《母狼》(She-Wolf)。在他职业生涯的关键时刻,无论是就他自己的风格发展还是就他的认可而言,这幅画很快就被现代艺术博物馆购买了。但是,尽管它很熟悉,它的意思仍然没有得到令人满意的解释。本文通过揭示画面中的新人物,将同一时期的绘画与这幅画联系起来,并为其图像提供新的来源,从而进一步了解这幅画的内容和波洛克的工作过程。
Jackson Pollock painted his She-Wolf in 1943 on the eve of his first major exhibition in Peggy Guggenheim's Art of This Century gallery. Coming at a critical moment in his career, both in terms of his own stylistic development and in terms of his recognition, the painting was purchased very soon thereafter by the Museum of Modern Art. But, despite its familiarity, it has continued to elude satisfactory explanation of his meaning. This article serves as a further step to understanding the painting's content and Pollock's working process by revealing new figures within the picture, by associating drawings from the same time period with the painting, and by suggesting new sources for its imagery.
期刊介绍:
Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.