斯鲁特的《欢愉者》和提曼提斯的《屈拉蒂亚》:一种人文主义哀悼主题的演变及其来源

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2005-01-01 DOI:10.2307/1483776

J. Moffitt

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引用次数: 5

摘要

克劳斯·斯鲁特(Claus Sluter，约1360-1406年)是荷兰著名的雕塑家，他将“自然主义”和“同情”引入了后中世纪艺术。本研究聚焦于他的大胆菲利普墓(大部分在1404年至1406年之间被处决)，研究了一个特殊的主题:斯鲁特的“快乐者”，或者戴着面纱的悲伤的哀悼者。在这种情况下，主题-最初被称为“Tristia velata”-被证明在古典时代的文本中是司空见惯的，因此揭示了斯鲁特艺术的“人文主义”来源。基于同样的古典文学遗产，文艺复兴时期的文本中也出现了“隐晦的悲伤”主题。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Sluter's "Pleurants" and Timanthes' "Tristitia Velata": Evolution of, and Sources for a Humanist Topos of Mourning

Claus Sluter (c. 1360-1406) is now celebrated as the Netherlandish sculptor who introduced both "naturalism" and "compassion" into post-medieval art. Focusing on his Tomb of Philip the Bold (mostly executed between 1404 and 1406), this study examines a particular motif: Sluter's "pleurants", or grief-stricken mourners with veiled faces. In this case, the motif - originally called "Tristia velata" - is shown to have been a commonplace in classical-era texts, so revealing the "humanistic" sources of Sluter's art. The "veiled grief" topos is also traced in Renaissance texts based on the same classical-literary legacy.

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来源期刊

Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.