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引用次数: 0
摘要
G. B. Vico所著《新科学》(Scienza Nuova, 1730)第二版的中心主题是发现真正的荷马,也就是说,发现荷马实际上不是一个历史人物,而只是一个神话。《新科学》的扉页展示了荷马的雕像。本文一方面讨论了插图的中间部分,将雕像理解为一个单一的集体,另一方面讨论了《真正的荷马》的不寻常和不可理解的图像,作者试图定义,在多大程度上它是Domenico Antonio Vaccaro的独立创作,他是设计封面的艺术家。整篇文章的中心问题,即本书的哲学思想在多大程度上和多大程度上适合于一种特定的艺术形式,以及这种观念和形式的关系造成了什么破坏。
Probleme im Medium der Anschauung: Giambattista Vicos 'Wahrer Homer' im Frontispiz der "Scienza Nuova"
The central theme of the second edition of Scienza Nuova (1730) by G. B. Vico is discovery of the True Homer, that is, the discovery that Homer was in fact not a historical personality but only a myth. The frontispiece of Scienza Nuova shows Homer as a statue. The paper discusses - on the one hand - the medial aspects of the illustration, with regard to understanding the statue as a singular collective, and on the other hand - the unusual and incomprehensible iconography of the True Homer, where the author tries to define, to what extent it was an independent creation of Domenico Antonio Vaccaro, the artist who designed the frontispiece. Throughout the whole paper the central question, of how far and how well the philosophical thought of the book fits in a given artistic form is investigated, and what breaches result from this relationship of the idea and the form.
期刊介绍:
Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.