世俗的形而上学:理解安迪·沃霍尔的系列意象

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2004-01-01 DOI:10.2307/1483746

J. Dyer

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引用次数: 12

摘要

安迪·沃霍尔丝印的系列结构表达了一种动态的现实结构，任何事物都是它的一个实例，从而提供了一个世俗世界是如何形成的模型，保持不变，但总是在变化。他的系列作品是自由的、综合的、迭代的自我实现的迭代结构，是事物实现的理性过程。沃霍尔在使无数的深度图像相同的过程中，通过明显的表面印刷事故，自发的区分活动痕迹，使它们不同。它们揭示了不可简化为制作系列所涉及的任何元素的建设性活动。这种可理解的活动是自发的、不确定的和自由的，但也有关系，因为是连续的。

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The Metaphysics of the Mundane: Understanding Andy Warhol's Serial Imagery

The serial structure of Andy Warhol's silkscreens articulates a dynamic structure of actualization of which anything is an instance, thus providing a model of how the mundane world comes to be, persists to be the same, but is always changing. His serial works enact iterative structures of free, synthetic, iterative self-realization, a rational process of the actualization of things. In making numerous depthless images identical, Warhol makes them different through obvious surface printing accidents, spontaneous traces of differentiating activity. They reveal the constructive activity irreducible to any element involved in making the series. This underivable activity is spontaneous, non-deterministic and free, but also relational because serial.

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来源期刊

Artibus et Historiae ART-

自引率

0.00%

发文量

期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.