{"title":"皮格马利翁的灵魂","authors":"Paul Barolsky","doi":"10.2307/1483737","DOIUrl":null,"url":null,"abstract":"By looking closely at a brief description of Pygmalion in Vasari's Lives and comparing it to Ovid's version of the myth, this essay suggests that Vasari's allusion is a subtle transformation of a classical poetic fable of artistic creation into a spiritual allegory grounded in Genesis.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"24 1","pages":"183-184"},"PeriodicalIF":0.1000,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1483737","citationCount":"3","resultStr":"{\"title\":\"The Spirit of Pygmalion\",\"authors\":\"Paul Barolsky\",\"doi\":\"10.2307/1483737\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"By looking closely at a brief description of Pygmalion in Vasari's Lives and comparing it to Ovid's version of the myth, this essay suggests that Vasari's allusion is a subtle transformation of a classical poetic fable of artistic creation into a spiritual allegory grounded in Genesis.\",\"PeriodicalId\":43492,\"journal\":{\"name\":\"Artibus et Historiae\",\"volume\":\"24 1\",\"pages\":\"183-184\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2003-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/1483737\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Artibus et Historiae\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/1483737\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artibus et Historiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/1483737","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
By looking closely at a brief description of Pygmalion in Vasari's Lives and comparing it to Ovid's version of the myth, this essay suggests that Vasari's allusion is a subtle transformation of a classical poetic fable of artistic creation into a spiritual allegory grounded in Genesis.
期刊介绍:
Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.