坎波桑托,圣塔:描绘比萨的圣地

IF 0.1 3区 艺术学 0 ART
Diane Cole Ahl
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引用次数: 5

摘要

受历史记忆和神圣地形的启发,本文对比萨坎波桑托的装饰方案提出了新的解释。坎波桑托将十字军东征期间从髑髅山运来的泥土包裹起来,它不仅被设想为墓地,还被设想为圣髑存放处、教堂和朝圣地。它的壁画重现了朝圣的经历,唤起了圣地的圣地,由于海军损失和十字军东征,从比萨无法进入。这篇文章的结尾发表了一幅贝诺佐·戈佐利的《可拉、达森和阿比伦的惩罚》的图画,初步将其归因于安德里亚·博斯科利,并重建了这幅丢失的壁画。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Camposanto, Terra santa: Picturing the Holy Land in Pisa
Inspired by scholarship on historic memory and sacred topography, the article proposes a new interpretation of the decorative program of the Camposanto in Pisa. Enclosing earth brought from Mount Calvary during the crusades, the Camposanto was conceived not only as a cemetery but as a reliquary church and place of pilgrimage. Its frescoes recreated the experience of pilgrimage by evoking the sacred sites of the Holy Land, inaccessible from Pisa due to naval losses and the crusades. A coda to the article publishes a drawing for Benozzo Gozzoli's Punishment of Korah, Dathan, and Abiron, tentatively ascribing it to Andrea Boscoli and reconstructing the lost fresco.
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期刊介绍: Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.
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