{"title":"“Elevatio”。仪式性手势的描绘","authors":"M. Barasch","doi":"10.2307/1483729","DOIUrl":null,"url":null,"abstract":"Several strands of observation and reflection meet in the gesture of raising a sacred object, the paten, in the Mass. The lifting up of something, or somebody, is frequently seen in the art of different periods, in both religious and secular imagery. Elevation touches on some ideas, or rather intuitive meanings, of our experience of space. While some aspects of our perception of space, mainly in visual experience, have attracted a great deal of scholarly attention (it is enough to think of the study of perspective in painting), the concern with the expressive nature of space as such, and its layers or \"places,\" has been much more limited. The present essay does not, however, deal with the expressive character of space in general but it confines itself to the limits of the precise motif of \"elevatio\", the raising of a sacred object and bringing it to the upper layers in our field of vision. Examples are taken from representations of \"sacred actions\", that is, of religious rituals, but occasionally the author also resorts to examples of political iconography.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"24 1","pages":"43-56"},"PeriodicalIF":0.1000,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1483729","citationCount":"6","resultStr":"{\"title\":\"\\\"Elevatio\\\". The Depiction of a Ritual Gesture\",\"authors\":\"M. Barasch\",\"doi\":\"10.2307/1483729\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Several strands of observation and reflection meet in the gesture of raising a sacred object, the paten, in the Mass. The lifting up of something, or somebody, is frequently seen in the art of different periods, in both religious and secular imagery. Elevation touches on some ideas, or rather intuitive meanings, of our experience of space. While some aspects of our perception of space, mainly in visual experience, have attracted a great deal of scholarly attention (it is enough to think of the study of perspective in painting), the concern with the expressive nature of space as such, and its layers or \\\"places,\\\" has been much more limited. The present essay does not, however, deal with the expressive character of space in general but it confines itself to the limits of the precise motif of \\\"elevatio\\\", the raising of a sacred object and bringing it to the upper layers in our field of vision. Examples are taken from representations of \\\"sacred actions\\\", that is, of religious rituals, but occasionally the author also resorts to examples of political iconography.\",\"PeriodicalId\":43492,\"journal\":{\"name\":\"Artibus et Historiae\",\"volume\":\"24 1\",\"pages\":\"43-56\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2003-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/1483729\",\"citationCount\":\"6\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Artibus et Historiae\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/1483729\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artibus et Historiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/1483729","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Several strands of observation and reflection meet in the gesture of raising a sacred object, the paten, in the Mass. The lifting up of something, or somebody, is frequently seen in the art of different periods, in both religious and secular imagery. Elevation touches on some ideas, or rather intuitive meanings, of our experience of space. While some aspects of our perception of space, mainly in visual experience, have attracted a great deal of scholarly attention (it is enough to think of the study of perspective in painting), the concern with the expressive nature of space as such, and its layers or "places," has been much more limited. The present essay does not, however, deal with the expressive character of space in general but it confines itself to the limits of the precise motif of "elevatio", the raising of a sacred object and bringing it to the upper layers in our field of vision. Examples are taken from representations of "sacred actions", that is, of religious rituals, but occasionally the author also resorts to examples of political iconography.
期刊介绍:
Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.